本文選題：主題　切入點：和聲　出處：《山西大學(xué)》2007年碩士論文

【摘要】： 在20世紀西方各音樂流派中，肖斯塔科維奇很難歸類，他并不堅持任何特定的流派，卻仍然創(chuàng)造了他自己自己獨特的風(fēng)格。他的音樂語言根基是傳統(tǒng)的、有調(diào)性的，但為了表現(xiàn)的需要也使用不協(xié)和音響與偶然的無調(diào)性。他的創(chuàng)作體裁涉及各種門類，如歌劇、舞劇、大合唱、為各種樂器而寫的協(xié)奏曲、鋼琴與弦樂室內(nèi)樂、弦樂四重奏、鋼琴獨奏、電影配樂(36部)、戲劇配樂(11部)、各種聲樂曲等。本論文選取了肖氏十五首弦樂四重奏中的六首(第一、二、四、五、七、八首)作為研究方向，其目的在于通過對作品中的主題、和弦結(jié)構(gòu)、和聲序進、調(diào)性布局、曲式結(jié)構(gòu)等進行詳細的研究后，歸納總結(jié)出肖氏在作曲技法上的共性手法和個性手法，學(xué)習(xí)他怎樣把傳統(tǒng)與革新結(jié)合、把民族精神與現(xiàn)代風(fēng)格結(jié)合，以指導(dǎo)我們在今后的實踐創(chuàng)作中，如何扎根于傳統(tǒng)并運用中國民族民間音樂元素與國際語言相結(jié)合，創(chuàng)作出更多更好的既具有民族神韻又富有現(xiàn)代氣息的新作品。 該論文研究內(nèi)容分為四部分： 第一部分為主題研究：一方面從主題的取材、調(diào)式、風(fēng)格方面將肖氏弦樂四重奏中的主題進行了分類，如大小調(diào)風(fēng)格的主題、具有俄羅斯民族風(fēng)格的主題、強調(diào)特性音程創(chuàng)作的主題等等；另一方面，對主題的發(fā)展手法進行了研究，如對于主題動機的調(diào)內(nèi)模進、遠關(guān)系調(diào)外模進及主題的變形手法等等。 第二部分為和聲研究：一方面羅列了肖氏弦樂四重奏中完全鑒于縱向思維的多種和弦結(jié)構(gòu)，其中有傳統(tǒng)的，如三度疊置、三度疊置加附加音的、也有近現(xiàn)代和弦結(jié)構(gòu)，如音塊式和弦、小二度與純四度疊置的；另一方面把肖氏弦樂四重奏中的鑒于橫向思維的持續(xù)性因素、平行因素、線性和聲、半音化聲部進行等等也做了詳細的分類研究。 第三部分為調(diào)性研究：一方面列舉了作品中在傳統(tǒng)功能和聲消逝后的新的調(diào)性呈現(xiàn)方式；一方面對肖氏在宏觀上與微觀上所設(shè)計的調(diào)性布局、調(diào)性銜接特點做了分類研究。 第四部分為曲式研究：這一部分對這六首弦樂四重奏的全部曲式結(jié)構(gòu)進行了分析。 寫作該論文的過程中，筆者一方面對樂譜進行詳細的分析；一方面利用計算機音頻技術(shù)將每首作品的音響資料細分到樂段、樂句、甚至于樂節(jié)的規(guī)模去仔細聽辯，，通過譜面資料和音響資料的逐一詳細對照，真正切身感受到了肖氏那些獨特的、絕妙的傳統(tǒng)與現(xiàn)代相結(jié)合、民族音樂與國際語言相結(jié)合的作曲技法賦予音樂的極大魅力。
[Abstract]:In twentieth Century, the various schools of western music, Shostakovich is hard to classify, he did not adhere to any particular genre, but still created his own style. His musical language is the foundation of the traditional tonality, but in order to show the need to use the inconsonance acoustics and occasional atonality. His creative style involves a variety of categories, such as opera, dance, chorus, for all kinds of instruments to write the Concerto, piano and String Quartet, chamber music, piano solo, Soundtrack (36), incidental music (11), vocal music. This thesis chooses the Shaw String Quartet in fifteen the first six (first, second, four, five, seven, eight) as the research direction, its purpose is through the works on the theme, chord structure, harmonic sequence, layout mode, detailed study of structure, summed up the shore in composition techniques The common law practices and individual learning techniques, he how to tradition and innovation with the national spirit and the combination of modern style, to guide our practice in the future work, how to use Chinese and rooted in the traditional folk music elements and international language combination, innovation to make more and better works with national spirit and full of modern flavor.
The research content of this paper is divided into four parts:
The first part is the research topic: on the one hand drawn from the theme of the style, style will Shaw String Quartet in subject categories, such as major and minor style theme, with the Russian national style theme, emphasizing the characteristics of interval creation theme and so on; on the other hand, the development of the theme of manipulation for the study, such as motifs within the key, deformation technique remote keys mode into and theme and so on.
The second part is the study of Harmony: on the one hand, a list of Shaw's String Quartet in full in view of a variety of chord structure vertical thinking, which are traditional, such as three stacked, stacked three degrees plus additional sound, there are also modern chord structure, such as the sound block chords, second degree and four degree of purity stacked; on the other hand the Shaw String Quartet in the view of sustainability factors, lateral thinking parallel factors, linear harmony, chromaticism voice and so on also made a detailed study of the classification.
The third part is the study of tonality. On the one hand, it lists the new way of tonality presentation in the works after the loss of traditional function and harmony. On the one hand, it makes a classified research on the characteristics of tonality and layout in terms of macro and micro design.
The fourth part is the study of the musical style: this part analyses all the composition of the six string quartets.
In the process of writing the thesis, the author made a detailed analysis of the music; use a computer audio technology each song sound data segments to passage phrases, even the size of the music festival to listen carefully to debate, by spectral data and audio data in detail control, really feel Shaw the unique and wonderful combination of traditional and modern, national and international music language combined with composing techniques given the great charm of music.

【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J614

【引證文獻】

相關(guān)博士學(xué)位論文 前1條

1 王晶;肖斯塔科維奇晚期弦樂四重奏音樂語言與結(jié)構(gòu)研究[D];上海音樂學(xué)院;2010年

本文編號：1655737