湘西“熟苗區(qū)”儺腔與世俗音樂(lè)的整合
發(fā)布時(shí)間:2018-03-21 18:57
本文選題:熟苗區(qū) 切入點(diǎn):儺腔 出處:《中國(guó)音樂(lè)學(xué)》2008年01期 論文類型:期刊論文
【摘要】:儺戲是湘西巫文化的主要表現(xiàn)形式,自苗族進(jìn)入后,儺戲逐漸在苗人生活中扎根,并且對(duì)世俗音樂(lè)進(jìn)行整合,形成了有別于其他地區(qū)的藝術(shù)特色。本文主要對(duì)湘西"熟苗區(qū)"的儺腔歷史淵源進(jìn)行追溯,并將其與世俗音樂(lè)進(jìn)行對(duì)比。
[Abstract]:Nuo opera is the main manifestation of the witchcraft culture in western Hunan. Since the Miao nationality entered, Nuo opera has gradually taken root in the life of Miao people and integrated the secular music. This article mainly traces the historical origin of Nuo cavity of "mature Miao District" in western Hunan, and compares it with secular music.
【作者單位】:
【分類號(hào)】:J607
,
本文編號(hào):1645120
本文鏈接:http://sikaile.net/wenyilunwen/yinyuetheory/1645120.html
最近更新
教材專著