本文選題：弗雷斯科巴爾第　切入點(diǎn)：《音樂之花》　出處：《天津音樂學(xué)院學(xué)報(bào)》2012年02期 　論文類型：期刊論文

【摘要】：雖然《音樂之花》以其技巧性和創(chuàng)新性在巴洛克時期尊為典范之作,但是隨著音樂體裁的演進(jìn)和發(fā)展將其作為管風(fēng)琴彌撒套曲形式的鍵盤曲集早已被學(xué)界遺忘。時至今日,當(dāng)我們重新從歷史的角度再次追溯到托卡塔、坎佐納和隨想曲的發(fā)展時,才發(fā)現(xiàn)《音樂之花》在其發(fā)展過程中的巨大作用。不但是其后作曲家創(chuàng)作嚴(yán)格對位的模范,而且對西方音樂體裁演進(jìn)有著無法規(guī)避的重要性。
[Abstract]:Although the Flower of Music was a model in the Baroque period with its skill and innovation, with the evolution and development of the musical genre, the collection of keyboard songs as a form of organ mass ensemble has long been forgotten by the academic circle. When we re-trace back to the historical perspective of Tokata, Kanzona and the development of random music, we discover the great role of the flower of music in its development. And the evolution of western music genre has an inescapable importance.
【作者單位】： 西北師范大學(xué)音樂學(xué)院;
【分類號】：J605
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本文編號：1638740