本文選題：逆向思維　切入點：聲音概念　出處：《西北師范大學(xué)》2008年碩士論文　論文類型：學(xué)位論文

【摘要】： 歌唱與發(fā)聲是心理思維的過程,這種思維揭示歌唱發(fā)聲的本質(zhì)和運動規(guī)律,所謂“用頭腦去歌唱”就是用思維去唱歌。歌唱思維是人的理性認(rèn)識過程,根據(jù)思維過程的指向性,可將思維分為常規(guī)思維(正向思維)和逆向思維。正向思維是從正面思考問題解決問題正向“順推”的一種常規(guī)思維方式。如果長期使用這種單一的思維方式容易形成思維定勢,阻礙思維的發(fā)展,甚至有可能導(dǎo)致思維的僵化。而打破原有的思維定勢,讓思維左右發(fā)散從多角度多側(cè)面的去思考問題,產(chǎn)生一種與正向思維相反,互逆的創(chuàng)新型求異思維,即逆向思維,有時就能突破常規(guī)的束縛產(chǎn)生出奇制勝的效果。本文意圖通過自己在多年聲樂學(xué)習(xí)中對這一過程的體驗意識到通過逆向思維心理意念的調(diào)節(jié),對歌唱機(jī)能的運動走向與程度加以控制,可以使歌唱機(jī)能的矛盾雙方達(dá)到科學(xué)發(fā)聲所要求的對立統(tǒng)一狀態(tài)。對解決氣息、聲區(qū)、發(fā)聲共鳴中的主要技術(shù)難點,克服技巧運用的“片面性”與“絕對性”,實現(xiàn)歌唱器官在運動中的平衡等具有重要的作用。 緒論,主要闡述了本研究論題的相關(guān)概念以及研究目的和意義。 全文共分為三部分,第一部分分析歌唱逆向思維的內(nèi)涵與普遍性、多樣性、新穎性、突破性等的基本特征;第二部分分別從歌唱的呼吸、發(fā)聲、共鳴、聲區(qū)轉(zhuǎn)換歌唱的語言五個方面研究論述逆向思維在聲樂技術(shù)中的運用;第三部分主要論述“逆”與“順”的結(jié)合,用辨證統(tǒng)一的方法進(jìn)行歌唱整體的協(xié)同運動,真正實現(xiàn)歌唱中的和諧統(tǒng)一。
[Abstract]:Singing and vocalization are the process of psychological thinking, which reveals the essence and movement law of singing sound. The so-called "singing with the mind" means singing with the thinking. The singing thinking is the process of human rational cognition, according to the directionality of the thinking process. Thinking can be divided into conventional thinking (positive thinking) and reverse thinking. Forward thinking is a conventional way of thinking to solve positive problems from positive thinking. If you use this single thinking mode for a long time. It is easy to form a pattern of thinking, Hinder the development of thinking, and may even lead to the ossification of thinking. And break the original thinking pattern, let the left and right thinking thinking from many angles and many aspects of thinking, and produce a kind of creative thinking, contrary to positive thinking, which is contrary to positive thinking. That is, reverse thinking can sometimes break through the conventional restraints and produce surprising results. This paper intends to realize the adjustment of psychological ideas through reverse thinking through the experience of this process in many years of vocal music learning. By controlling the movement trend and degree of singing function, both sides of singing function can achieve the unity of opposites required by scientific vocalization. Overcoming the one-sidedness and absoluteness of the use of skills and achieving the balance of singing organs in the movement play an important role. Introduction, mainly elaborated this research topic related concept as well as the research goal and the significance. The paper is divided into three parts. The first part analyzes the connotation and universality, diversity, novelty, breakthrough and other basic characteristics of singing reverse thinking, the second part respectively from the singing breath, voice, resonance, This paper discusses the application of reverse thinking in vocal music technology in five aspects of vocal area conversion singing, the third part mainly discusses the combination of "reverse" and "consonance", and uses dialectical unity method to carry out the coordinated movement of singing as a whole. Truly realize the harmony and unity in singing.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J616

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本文編號：1626088