本文選題：銅鼓客家山歌　切入點(diǎn)：“唱與腔”　出處：《南昌大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版)》2008年05期 　論文類(lèi)型：期刊論文

【摘要】：客家人在中國(guó)廣泛分布于大江南北,客家山歌音樂(lè)各具有鮮明的傳統(tǒng)文化特征。位于贛西北的江西銅鼓客家山歌是由來(lái)自粵、閩、贛南等地不同的客家音樂(lè)元素與當(dāng)?shù)卦说囊魳?lè)元素長(zhǎng)期碰撞,經(jīng)過(guò)二三百年時(shí)間的磨合,從而形成其特定的傳統(tǒng)"唱與腔"的風(fēng)格特征。音樂(lè)中的語(yǔ)言與發(fā)聲方式、潤(rùn)腔組成了傳統(tǒng)"唱與腔"的結(jié)構(gòu)基礎(chǔ),而通過(guò)山歌音樂(lè)所體現(xiàn)出來(lái)的情感與修養(yǎng)、自?shī)逝c表演等又共同印證了傳統(tǒng)"唱與腔"的特征。
[Abstract]:Hakka folk music is widely distributed in the north and south of the great rivers in China, and Hakka folk music has distinct traditional cultural characteristics. The Hakka folk songs in Jiangxi Province, located in the northwest of Jiangxi Province, are from Guangdong, Fujian, Fujian, The Hakka music elements in Gannan and other places have long collided with the music elements of the native people. After 200 or 300 years of running in, the Hakka music elements have formed their specific traditional style of "singing and singing". Runcao forms the structural foundation of traditional "singing and singing", and the characteristics of traditional "singing and singing" are confirmed by the emotion and self-cultivation, entertainment and performance of folk music.
【作者單位】： 江西科技師范學(xué)院音樂(lè)學(xué)院;中國(guó)音樂(lè)學(xué)院;
【基金】：江西省高校人文社會(huì)科學(xué)研究項(xiàng)目課題“江西銅鼓客家山歌的旋律特性與演唱研究”(課題編號(hào):ys0801)
【分類(lèi)號(hào)】：J607
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本文編號(hào)：1621936