本文選題：賀綠汀　切入點：聲樂作品　出處：《電影文學》2008年10期 　論文類型：期刊論文

【摘要】：賀綠汀的和聲寫作,總體上是歸納在大小調功能范圍內進行的。但是他有獨到的"民族化法",常常由于一些細微的、精到的和聲處理,避免了功能結構與民族音調之間風格的矛盾。對賀綠汀先生聲樂作品和聲技法進行分析,主要集中在弦結構特點、和聲進行特點以及調式調性布局與轉調特點三個方面,以此從他的藝術成就中獲取啟示,為創(chuàng)作更多更好為群眾所接受、富有時代性、民族性和鮮明個性的音樂作品,提供寶貴經(jīng)驗。
[Abstract]:He Lvting's writing of harmony is generally carried out within the scope of his function in large minor major. But he has a unique "nationalization law", often due to some subtle, sophisticated harmony handling. The contradiction between the functional structure and the national tone is avoided. The analysis of the harmony techniques of Mr. He Lvting's vocal music works mainly focuses on three aspects: the characteristics of string structure, the characteristics of harmony, the arrangement of tone and the characteristics of tone conversion. In order to obtain inspiration from his artistic achievements and provide valuable experience for the creation of more and more music works which are accepted by the masses, rich in times, nationality and distinctive personality.
【作者單位】： 惠州學院
【分類號】：J616

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本文編號：1590812