本文選題：大衛(wèi)·勒溫　切入點(diǎn)：《音樂結(jié)構(gòu)與轉(zhuǎn)換——分析論文四篇》(Musical　出處：《音樂藝術(shù)(上海音樂學(xué)院學(xué)報(bào))》2012年02期 　論文類型：期刊論文

【摘要】："轉(zhuǎn)換網(wǎng)絡(luò)理論"是美國(guó)音樂理論家大衛(wèi)·勒溫于20世紀(jì)80年代末創(chuàng)立的音樂分析理論。文章通過解讀勒溫出版于1993年的《音樂結(jié)構(gòu)與轉(zhuǎn)換——分析論文四篇》(Musical Form and Transformation:4 Analytic Essays)一書中《德彪西〈焰火〉結(jié)構(gòu)與延長(zhǎng)的轉(zhuǎn)換基礎(chǔ)》("A Transformational Basis for Form and Prolongation in Debussy'sFeuxd'artifice"),來展示"轉(zhuǎn)換網(wǎng)絡(luò)理論"的獨(dú)特理論構(gòu)架和分析視角。
[Abstract]:"the Theory of conversion Network" is the music analysis theory founded by American music theorist David Levin in the end of 1980s. This article is based on the interpretation of "Music structure and Transformation" published by Levin in 1993. "A Transformational Basis for Form and Prolongation in Debussy'sFeuxd'artifice" ("A Transformational Basis for Form and Prolongation in Debussy'sFeuxd'artifice").
【作者單位】： 上海音樂學(xué)院音樂學(xué)系;
【基金】：國(guó)家重點(diǎn)學(xué)科——音樂學(xué)特色重點(diǎn)學(xué)科項(xiàng)目資助 項(xiàng)目代碼 050402
【分類號(hào)】：J605
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本文編號(hào)：1579461