本文關(guān)鍵詞： 揚(yáng)劇 〔梳妝臺(tái)〕 堆字 腔調(diào) 情感 “大鍋菜”　出處：《南京藝術(shù)學(xué)院》2007年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 本論題根據(jù)田野調(diào)查所獲第一手材料，并結(jié)合相關(guān)主要史料年和文獻(xiàn)，對(duì)揚(yáng)劇曲牌[梳妝臺(tái)]進(jìn)行了較全面的梳理、分析和研究。全文結(jié)構(gòu)上分為揚(yáng)劇曲牌[梳妝臺(tái)]概述，孟姜女[春調(diào)]與[梳妝臺(tái)]，揚(yáng)劇[梳妝臺(tái)]體式結(jié)構(gòu)分析，揚(yáng)劇[梳妝臺(tái)]腔調(diào)形態(tài)分析，揚(yáng)劇[梳妝臺(tái)]情感表現(xiàn)與樂(lè)隊(duì)伴奏等五個(gè)部分，對(duì)其歷史、與其它音樂(lè)類(lèi)型中同名曲牌的關(guān)系、曲牌本體結(jié)構(gòu)特征、曲牌音樂(lè)情感表達(dá)等內(nèi)容，，進(jìn)行了較為縝密的分析，并在此基礎(chǔ)上，進(jìn)一步得出[梳妝臺(tái)]曲牌作為揚(yáng)劇中最重要的唱腔曲牌之一，具有廣泛的實(shí)用性，具有靈活多變的形態(tài)結(jié)構(gòu)和變異功能，能夠表現(xiàn)揚(yáng)劇劇目中不同角色的喜、怒、哀、樂(lè)等多種感情，是該劇種中名副其實(shí)的“大鍋菜”的結(jié)論。
[Abstract]:According to the firsthand materials obtained from the field investigation, combined with the relevant main historical materials and documents, this thesis makes a comparatively comprehensive combing, analysis and study of Yangju qu [dresser]. The full text is divided into two parts: Yangju qu [dressing table]. The history of Meng Jiangnv [Chun tune] and [dressing table], style structure analysis of Yangju [dressing table], tone form analysis of Yangju [dressing table], emotion expression and band accompaniment of Yangju [dressing table], The relationship with other music types of the same name, the structural features of the Noumenon of qu, the emotional expression of music, etc., are analyzed carefully, and on the basis of this, Further, it is concluded that [dresser] as one of the most important singing cards in Yang Opera, it has extensive practicability, flexible structure and variant functions, and can express the joy, anger and sadness of different characters in the repertoire of Yang Opera. Music and other feelings, is the play in the name of the "big pot dish" conclusion.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類(lèi)號(hào)】：J617.5

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 吳璨;【孟姜女調(diào)】音樂(lè)形態(tài)研究[D];中國(guó)藝術(shù)研究院;2013年

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