本文關(guān)鍵詞：兩部楚劇音樂創(chuàng)作的比較研究　出處：《武漢音樂學(xué)院》2007年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 音樂創(chuàng)作 《追報(bào)表》 《大別山人》 典型性

【摘要】： 本文研究的是《追報(bào)表》與《大別山人》兩部楚劇的音樂創(chuàng)作。文章通過運(yùn)用分析學(xué)和比較學(xué)的方法從戲曲音樂創(chuàng)作這個角度，對我國戲曲音樂發(fā)展不同時期的創(chuàng)作特點(diǎn)進(jìn)行了分析與概括。建國前我國戲曲音樂創(chuàng)作有三大特點(diǎn)：1、類型性襲用；2、長期的業(yè)余性創(chuàng)作；3、創(chuàng)作方面的勞動密集型與經(jīng)驗(yàn)密集型傳統(tǒng)。在建國以后，由于加速了音樂理論建設(shè)和音樂人才培養(yǎng)等因素，戲曲音樂的創(chuàng)作特點(diǎn)也隨之發(fā)生了變化，形成了如下三大特點(diǎn)：一、類型性襲用轉(zhuǎn)向典型性創(chuàng)作。二、業(yè)余性創(chuàng)作轉(zhuǎn)向?qū)I(yè)性創(chuàng)作。三、勞動密集型與經(jīng)驗(yàn)密集型創(chuàng)作轉(zhuǎn)向理論密集型與技術(shù)密集型創(chuàng)作。筆者在文章中重點(diǎn)分析的是“楚劇音樂”在建國后的創(chuàng)作特點(diǎn)。例舉了文革時期創(chuàng)作的《追報(bào)表》和近期創(chuàng)作的《大別山人》這兩部楚劇，，對這兩部戲的音樂創(chuàng)作進(jìn)行了較為細(xì)致地分析與比較。具體分析了它們在音樂創(chuàng)作方面的特點(diǎn)與創(chuàng)新，并且概括了這兩部戲音樂創(chuàng)作的三個共同點(diǎn)，也是它們成功的關(guān)鍵因素：1、主題的運(yùn)用；2、人物唱腔的性格化；3、音樂的情感化。這三個方面的特點(diǎn)突出表現(xiàn)了建國后的戲曲音樂創(chuàng)作十分注重“典型性”。這種“典型性”創(chuàng)作是通過“專業(yè)性創(chuàng)作”、“理論密集型和技術(shù)密集型創(chuàng)作”這兩種創(chuàng)作手法的支撐才得以實(shí)現(xiàn)。我國戲曲音樂創(chuàng)作中三個特點(diǎn)的轉(zhuǎn)變，是一個飛躍式的進(jìn)步。也是今后我國楚劇音樂乃至整個戲曲音樂創(chuàng)作應(yīng)該遵循的創(chuàng)作原則，為我國戲曲音樂創(chuàng)作的發(fā)展指引了方向!
[Abstract]:This study is "chase" and "the Dabie Mountain report > two Chu opera music creation. This paper uses analysis method and comparative study from the opera music creation this angle, creation characteristics of different development periods of Chinese opera music are analyzed and summarized. The three major characteristics of Chinese opera music creation: 1 types of copy; 2, long-term amateurish creation; 3, labor intensive and experience intensive traditional creation. In 1949, with the strengthen of music theory and the cultivation of music talent, creative features of opera music has changed, it has formed the following three major characteristics: first, the type of copy to typical creation. Two, amateur creation to professional creation. Three, labor intensive and intensive creation experience to theory intensive and technology intensive creation. The author focuses on The analysis of "Chu Music" in creation after the founding of the cultural revolution. Examples of the creation of the "chase report > and the recent creation of < two > the Dabie mountain province, on the two play music for a more detailed analysis and comparison of them are analyzed in the aspects of music creation the characteristics and innovation, and summarizes three common of the two music, they are key factors for success: 1, the theme of the application; 2, Aria character; 3, music emotion. These three aspects of the outstanding performance after the founding of the opera music creation is very pay attention to the" typical ". The" typical "creation by" professional creation "," theory and technology intensive creation "of the two creation of the support can be achieved. Three change characteristics of Chinese opera music creation, is a fly Jump progress. Principle of creation but also the future of China's Chu opera music and the opera music creation should follow the guidelines of the direction for the development of Chinese opera music creation!

【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J617.5

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相關(guān)期刊論文 前3條

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