本文關(guān)鍵詞：安捷列斯手風(fēng)琴作品《絕境》的研究　出處：《山東師范大學(xué)》2008年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 手風(fēng)琴 安捷列斯 《絕境》 創(chuàng)作特點(diǎn) 演奏提示

【摘要】： 從手風(fēng)琴學(xué)科自身的現(xiàn)狀來(lái)看,二十世紀(jì)五十年代之后,世界性的手風(fēng)琴藝術(shù)形成了有眾多專業(yè)作曲家進(jìn)行創(chuàng)作的格局,并出現(xiàn)了大量現(xiàn)代手風(fēng)琴作品,這種情況不僅限于俄羅斯,而且涉及歐洲及全世界。在諸多手風(fēng)琴專業(yè)作曲家中,法國(guó)作曲家弗朗克·安捷列斯(Franck Angelis)以其獨(dú)具匠心的作曲風(fēng)格在世界手風(fēng)琴領(lǐng)域占有重要的位置,他的作品深受手風(fēng)琴演奏者的喜愛(ài),其中,《絕境》是最受歡迎的作品之一,在各種手風(fēng)琴音樂(lè)會(huì)及比賽中被廣泛應(yīng)用。 現(xiàn)代風(fēng)格的手風(fēng)琴作品較難理解和把握,我們應(yīng)該深層次去研究這些現(xiàn)代作品的“語(yǔ)法結(jié)構(gòu)”,因此,筆者試圖通過(guò)對(duì)安捷列斯手風(fēng)琴作品《絕境》的研究,闡述作品內(nèi)涵,透析作曲家創(chuàng)作風(fēng)格,做出演奏提示,以增進(jìn)演奏者、欣賞者對(duì)現(xiàn)代手風(fēng)琴作品的理解、把握。文章分為四個(gè)章節(jié),內(nèi)容簡(jiǎn)介如下: 引言部分主要介紹作曲家和作品概況,分析國(guó)際國(guó)內(nèi)對(duì)于此課題的研究現(xiàn)狀,以及論文寫作的目的和意義。 第一章,作曲家及創(chuàng)作背景。本章從安捷列斯和他的主要作品入手,介紹作曲家及其作品在現(xiàn)代手風(fēng)琴領(lǐng)域的重要影響;概述作曲家生活的時(shí)代地域以及音樂(lè)文化的總背景,為具體研究做鋪墊。 第二章,音樂(lè)本體的分析。本章分別對(duì)《絕境》四個(gè)樂(lè)章在曲式和聲、調(diào)式調(diào)性、旋律節(jié)奏、發(fā)展手法等方面進(jìn)行深層次多角度的具體研究,闡析作品意境,并針對(duì)每樂(lè)章做出主要?jiǎng)?chuàng)作手法的總結(jié),為第三章創(chuàng)作風(fēng)格特點(diǎn)的闡述以及標(biāo)題解讀做好充分理論依據(jù)。 第三章,創(chuàng)作風(fēng)格特點(diǎn)及標(biāo)題解讀。本章闡述了《絕境》的主要作曲手法并結(jié)合安捷列斯其它重要作品總結(jié)其個(gè)人創(chuàng)作風(fēng)格特征,同時(shí)對(duì)《絕境》這一標(biāo)題進(jìn)行探討式分析解讀。 第四章,樂(lè)曲的演奏提示。本章仍然按照四個(gè)樂(lè)章的順序,結(jié)合創(chuàng)作風(fēng)格特點(diǎn)對(duì)整部樂(lè)曲進(jìn)行演奏方法的建議提示并針對(duì)有特點(diǎn)的演奏手法做出重點(diǎn)說(shuō)明。 最后,對(duì)安捷列斯及其作品在手風(fēng)琴領(lǐng)域的重要位置以及藝術(shù)價(jià)值進(jìn)行概括總結(jié)。
[Abstract]:From the current situation of accordion discipline itself, since 1950s, the world accordion art has formed a large number of professional composers to create the pattern, and a large number of modern accordion works. This situation is not limited to Russia, but also involves Europe and the world. Among the many accordion professional composers. French composer Franck Angelishis unique composition style plays an important role in the world accordion field. His works are loved by accordion players. Among them, the desperate situation is one of the most popular works and is widely used in all kinds of accordion concerts and competitions. It is difficult to understand and grasp the modern accordion works. We should study the grammatical structure of these modern works deeply. Therefore, the author tries to study the accordion works of Agelius. This paper expounds the connotation of the works, analyzes the composers' creative style, and makes the performance tips to enhance the understanding and grasp of the modern accordion works by the players and the appreciators. The article is divided into four chapters, and the contents are summarized as follows: The introduction mainly introduces the composers and works, analyzes the present situation of the research on this subject, and the purpose and significance of the thesis writing. Chapter one, composer and background. This chapter introduces the important influence of composer and his works in the field of modern accordion from Agiles and his main works. This paper summarizes the era region of composer's life and the general background of music culture, and paves the way for concrete research. The second chapter, the analysis of music Noumenon. In this chapter, four movements in the music harmony, tone, melody and rhythm, development techniques and other aspects of the specific deep-seated and multi-angle research, analysis of the artistic conception of the works. And for each movement to make a summary of the main creative techniques for the third chapter of the characteristics of creative style and title interpretation to do a good theoretical basis. The third chapter, the characteristics of the creative style and the interpretation of the title. This chapter describes the main composing techniques of "the desperate situation" and summarizes the characteristics of his personal writing style combined with other important works of Agiles. At the same time, the title of "desperate situation" is analyzed and interpreted. This chapter is still in accordance with the order of the four movements, combined with the characteristics of the creative style of the entire piece of music to make suggestions for the playing method and to focus on the characteristics of the playing techniques. Finally, it summarizes the important position and artistic value of Agiles and his works in the field of accordion.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J624.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 劉圳鈴;德尚法國(guó)流行手風(fēng)琴表演教學(xué)分析[D];西南大學(xué);2013年

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本文編號(hào)：1370945