本文關(guān)鍵詞：《哈密木卡姆》中的非常規(guī)節(jié)拍及節(jié)奏型研究　出處：《新疆師范大學(xué)》2008年碩士論文　論文類型：學(xué)位論文

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【摘要】： 《哈密木卡姆》主要是指流傳于哈密地區(qū)哈密市的回城鄉(xiāng)、陶家宮鄉(xiāng)、花園鄉(xiāng)、五堡鄉(xiāng)、二堡鎮(zhèn)、天山鄉(xiāng)、西山鄉(xiāng),伊吾縣的淖毛湖鎮(zhèn)、下馬崖鄉(xiāng)和葦子峽鄉(xiāng)一帶的維吾爾族地方性木卡姆。由于受地理位置、民族宗教、語言文化、風(fēng)俗習(xí)慣等各方面因素的影響,《哈密木卡姆》以其獨有的魅力受到了更多人的關(guān)注。但是,因當(dāng)時錄音設(shè)備、錄音技術(shù)及音樂本體研究水平等各方面條件的限制,學(xué)者們對已出版的《哈密木卡姆》文本中所標(biāo)示的部分樂曲的節(jié)拍、節(jié)奏型產(chǎn)生了分歧,至今未有定論,為后人進(jìn)一步學(xué)習(xí)與研究《哈密木卡姆》造成了困難。所以運用科學(xué)的方法,重新審視和整理該曲譜中所存在的爭議,通過計算機測量與人耳聽辨相結(jié)合的方法,對《哈密木卡姆》中部分樂曲的節(jié)拍和節(jié)奏型求出正確答案,就顯得十分必要。 本文主要以1994年由新疆維吾爾自治區(qū)哈密地區(qū)文化處編撰,人民音樂出版社出版的《哈密木卡姆》文本中部分曲目為研究對象,打破以往單純用人耳的聽辨來判斷節(jié)拍、節(jié)奏型的方法,將人耳的聽辨與科學(xué)的計算機技術(shù)相結(jié)合,對樂曲進(jìn)行測量與分析。然后,將大量的測量數(shù)據(jù)予以歸納和整理,從中得出所測量樂曲的節(jié)拍和節(jié)奏型,并以此為據(jù),進(jìn)一步對不同地域、不同年代的部分《哈密木卡姆》樂曲進(jìn)行比較與分析。最后以文本的形式,留予后人一份盡可能準(zhǔn)確的,關(guān)于《哈密木卡姆》部分樂曲節(jié)拍、節(jié)奏型的記錄,為《哈密木卡姆》的傳承和發(fā)展奉獻(xiàn)綿薄之力。 論文主要包括:一、緒論部分:提出《哈密木卡姆》的研究現(xiàn)狀、本課題的研究目的、意義、方法;二、具體的研究過程:詳細(xì)闡述測量前的準(zhǔn)備工作及具體的測量過程;三、結(jié)論部分:分套呈現(xiàn)測量結(jié)果,并以此為據(jù),按照演唱年代及流傳地域的不同逐一進(jìn)行比較。最后,對《哈密木卡姆》中形成非常規(guī)節(jié)拍及節(jié)奏型的原因,提出了筆者的幾點猜測。
[Abstract]:"Hami Mukam" mainly refers to the urban and rural areas of Hami City, Taojiagong Township, Huayuan Township, Wubao Township, Erbao Town, Tianshan Township, Xishan Township, and Naomaohu Town, Yiwu County. The Uygur local Mukam in the area of Xia Ma Ya Xiang and Wei Zixia Township. Due to geographical location, ethnic religion, language and culture, customs and other factors. Hami Mukam has attracted more attention for its unique charm. However, due to the recording equipment, recording technology and music Noumenon research level and other aspects of the constraints. Scholars are divided over the rhythms and rhythms of some of the music indicated in the published text of Hami Mukam, which has not yet been concluded. For future generations to further study and research "Hami Mukam" caused difficulties, so the use of scientific methods, re-examine and collate the existing disputes in the music. It is necessary to find out the correct answers to the rhythms and rhythms of some pieces of music in Hamimi Mukam by combining the computer measurement with the audition of human ears. In 1994, this article mainly by the Xinjiang Uygur Autonomous region Hami region Culture Office, people's Music Publishing House published in the text of Hami Muqam part of the text as the research object. Break away from the previous method of judging rhythm and rhythm, combine ear hearing with scientific computer technology, measure and analyze the music. A large number of measurement data will be summarized and arranged, from which the rhythm and rhythm of the measured music, and as the basis for further different regions. The music of Hami Mukam is compared and analyzed in different ages. Finally, in the form of text, it is left as accurate as possible to record the rhythms and rhythms of some of the pieces of Hami Mukam. Dedicated to the inheritance and development of Hami Mukam. The main contents of this paper are as follows: first, the introduction part: put forward the present research situation of Hami Mukam, the purpose, significance and method of this research; Second, the concrete research process: elaborate the preparation work before the measurement and the concrete measurement process; Third, the conclusion part: the set presents the measurement result, and according to this, according to the singing time and the spread region different carries on the comparison one by one. Finally, forms the unconventional rhythm and the rhythm type reason to the Hami Muqam in the "Hami Muqam". Several guesses of the author are put forward.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J607

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