【摘要】：唐宋間及至元代,所有與燕樂二十八調(diào)相關(guān)的敘事文本中,角調(diào)的敘述總是存在或多或少的邏輯矛盾。文章聚焦在辨析角調(diào)的性質(zhì),通過文獻(xiàn)分析和對"商角同用,宮逐羽音"的學(xué)理內(nèi)涵剖析,總結(jié)歸納獲得結(jié)論:角調(diào)的閏角屬性,具有移宮犯調(diào)不出均的調(diào)發(fā)展張力。
[Abstract]:From Tang and Song dynasties to Yuan Dynasty, there was always more or less logical contradiction in the narration of angle tone in all the narrative texts related to Yan Le 28 tone. This paper focuses on the analysis of the nature of angle tone, through literature analysis and the analysis of the theoretical connotation of "Shang angle use, palace feather sound", summarizes and concludes that the leap angle attribute of angle tone has the tension of adjustment development which can not be adjusted by the crime of moving the palace.
【作者單位】： 中國藝術(shù)研究院音樂研究所;
【分類號】：J613.6

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