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對音樂口述史學術(shù)方法論定位問題的思考

發(fā)布時間:2019-07-19 12:11
【摘要】:正一、問題的提出音樂口述史研究是學界近些年來興起的熱點之一。特別是2014年9月在北京成功舉辦了"全國首屆音樂口述歷史學術(shù)研討會",有來自全國各科研機構(gòu)與高等院校的一百二十多位專家、學者以此為主題進行了專門的研討。會議提交的29篇學術(shù)論文,就音樂口述歷史的概念與內(nèi)涵、學科特點、研究方法、研究容易誤識的問題、已有研究取得的經(jīng)驗等問題進行了充分的研討與總結(jié)。本次會議就音樂口述史的若干問題達成了一些共識,取得了一定的成果。雖然就"音樂口述史學"的學科定位問題仍有爭論,但從會議討論的情況來看,支持者與觀望者在這個問題上還是占有相
[Abstract]:First, the study of music oral history is one of the hotspots in academic circles in recent years. In particular, the first National Symposium on the History of Oral Music was successfully held in Beijing in September 2014, with more than 120 experts from scientific research institutions and institutions of higher learning across the country. The 29 academic papers submitted at the meeting have fully discussed and summarized the concept and connotation of music oral history, the characteristics of subjects, research methods, the problems that are easy to misunderstand, and the experience gained in the existing research. This meeting reached some consensus on a number of issues in the history of oral music, and achieved some results. Although there is still debate about the subject orientation of "music oral historiography", from the point of view of the discussion at the meeting, supporters and watchers still possess each other on this issue.
【作者單位】: 河南藝術(shù)職業(yè)學院音樂系;
【分類號】:J609.2

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相關(guān)期刊論文 前1條

1 ;《音樂口述史》研討會[J];中國音樂學;2014年03期



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