【摘要】：我國是具有悠遠(yuǎn)的傳統(tǒng)音樂文化歷史和厚重民間音樂資源的國家,其中東北地區(qū)的民族民間音樂文化是組成我國民族音樂文化特徵的重要部分,其涵括內(nèi)容十分豐富并具有強(qiáng)烈的地域特色及民族的獨(dú)特性。作為民族音樂文化視域下的東北揚(yáng)琴藝術(shù)流派,是由遼寧地區(qū)民間藝人趙殿學(xué)老先生作為奠基者與東北揚(yáng)琴流派傳承人們?cè)陂L期對(duì)揚(yáng)琴音樂藝術(shù)實(shí)踐的基礎(chǔ)上,與東北地區(qū)民族民間音樂元素相結(jié)合產(chǎn)生獨(dú)特曲風(fēng)及技法,從而形成了東北揚(yáng)琴流派的藝術(shù)特征。東北揚(yáng)琴流派音樂極具鮮明的個(gè)性和風(fēng)格,其獨(dú)特的演奏技巧及藝術(shù)風(fēng)格在傳承和弘揚(yáng)民族音樂文化方面起到重要作用,是民族音樂文化的社會(huì)價(jià)值體現(xiàn)。本文主要針對(duì)民族音樂文化視域下東北揚(yáng)琴藝術(shù)流派溯源、東北民族音樂文化視域下的東北揚(yáng)琴藝術(shù)流派發(fā)展現(xiàn)狀、東北揚(yáng)琴藝術(shù)流派的文化傳承及社會(huì)價(jià)值幾方面進(jìn)行分析研究,將分別闡述建國前部分東北揚(yáng)琴藝術(shù)在各社會(huì)或民間團(tuán)體中的發(fā)展脈絡(luò)以及東北揚(yáng)琴流派成立后的代表人物、風(fēng)格作品等方面的傳承與發(fā)展,對(duì)東北揚(yáng)琴流派演奏技巧和作品風(fēng)格進(jìn)行梳理整合,且對(duì)近幾年樂器及琴竹方面的改革進(jìn)行介紹。旨在挖掘整理民族民間音樂背景下的東北揚(yáng)琴藝術(shù)發(fā)展脈絡(luò),探尋東北揚(yáng)琴流派之精髓,宣傳推廣民族傳統(tǒng)音樂文化的同時(shí),繼承和彰顯東北揚(yáng)琴流派音樂文化,使東北揚(yáng)琴流派的藝術(shù)風(fēng)格達(dá)到創(chuàng)新與完善。
[Abstract]:China is a country with a long history of traditional music culture and heavy folk music resources. Among them, the national folk music culture in Northeast China is an important part of the characteristics of our national music culture, which contains very rich content and has strong regional characteristics and national uniqueness. As the perspective of national music culture, the Northeast Yangqin Art School is based on the folk artist Zhao Dianxue in Liaoning Province as the founder and the Northeast Yangqin School, on the basis of the long-term practice of Yangqin music art, and the combination of folk music elements in Northeast China to produce unique music style and techniques, thus forming the artistic characteristics of Northeast Yangqin School. The music of Northeast Yangqin School has a distinct personality and style, and its unique playing skills and artistic style play an important role in inheriting and carrying forward the national music culture, which is the embodiment of the social value of the national music culture. This paper mainly analyzes and studies the origin of Northeast Yangqin Art School from the perspective of national music culture, the present situation of Northeast Yangqin Art School development from the perspective of Northeast National Music Culture, the cultural inheritance and social value of Northeast Yangqin Art School, and expounds the development context of some Northeast Yangqin Art in various societies or civil organizations before the founding of the people's Republic of China and the representative figures after the establishment of Northeast Yangqin School. With the inheritance and development of style works, this paper combs and integrates the playing skills and style of Northeast dulcimer schools, and introduces the reform of musical instruments and bamboo in recent years. The purpose of this paper is to excavate and sort out the development of Northeast Yangqin art under the background of national folk music, to explore the essence of Northeast Yangqin School, to propagate and popularize the national traditional music culture, to inherit and highlight the music culture of Northeast Yangqin School, and to innovate and perfect the artistic style of Northeast Yangqin School.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.51

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相關(guān)期刊論文 前1條

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本文編號(hào)：2510380