【摘要】：阿炳創(chuàng)作《二泉映月》這首作品的時候所處的年代跟我們現(xiàn)在的年代是截然不同的。背景不同,人的心境不同,情感表達(dá)也不同。從阿炳的年代到我們現(xiàn)在的年代,這個過程中,二胡也經(jīng)歷了一系列的進(jìn)步、發(fā)展。演奏《二泉映月》的人有自己的理解,欣賞《二泉映月》的人有自己的標(biāo)準(zhǔn)和審美�！抖吃隆返母木幮问揭捕喾N多樣,所以《二泉映月》才會有今天這些豐富的演繹。
[Abstract]:When A Bing wrote Erquan Yingyue, he lived in a very different age from our present age. Different backgrounds, different mood, emotional expression is also different. From A Bing's time to our present age, erhu has also experienced a series of progress and development in this process. People who play "two springs reflect the moon" have their own understanding, those who appreciate "two springs reflect the moon" have their own standards and aesthetics. The adaptation forms of "two springs reflect the moon" are also various, so the "two springs reflect the moon" will have these rich deductions today.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.21
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本文編號：2507297