【摘要】：隨著聲樂藝術(shù)在世界各地不斷地發(fā)展,先鋒藝術(shù)家們不斷地嘗試與創(chuàng)新,出現(xiàn)了一種新的藝術(shù)形式:擬聲演唱,這一藝術(shù)形式指的是將人聲脫離歌詞與固定的旋律,徹底作為一種"樂器",或作為一種實驗性的、有變化的音色來模仿自然界的各種聲音。這種人聲器樂化思維的歌唱形式最早的雛形之一是出現(xiàn)在歐洲古典主義作曲家莫扎特的民族敘事歌劇《魔笛》的"夜后詠嘆調(diào)"中,人聲被用作器樂來模仿夜鶯。20世紀(jì)歐洲的"新人聲主義音樂"、蒙古的"呼麥藝術(shù)"、"長調(diào)音樂"以及爵士音樂中的"擬聲即興(Scatsinging)"等都分享著"模仿器樂"這一相同理念。本文將以擬聲演唱中的爵士擬聲演唱為研究對象,研究爵士音樂表演中爵士擬聲演唱(Scat singing)的由來及其基本規(guī)則。爵士擬聲演唱不同于其他擬聲演唱,它徹底脫離"確定寫好的樂譜",并結(jié)合爵士器樂音樂演奏和聲理論、即興方式等進(jìn)行現(xiàn)場表演。通過3年爵士專業(yè)研究生學(xué)習(xí)期間的實踐與學(xué)習(xí),借鑒對比當(dāng)代著名爵士 聲演唱家不同的演唱特質(zhì),討論爵士擬聲演唱中如何模仿不同器樂演奏及如何進(jìn)行爵士擬聲即興演唱的一般方式及演唱技巧,筆者將提出演唱與演奏相互結(jié)合的思維來讓中國的爵士歌手初步接觸將爵士擬聲演唱技巧,并希望能將爵士擬聲演唱真正落地于中國。
[Abstract]:With the continuous development of vocal music art all over the world, avant-garde artists continue to try and innovate, and a new art form has emerged: onomatopoeia singing, which refers to the separation of human voice from lyrics and fixed melodies. Mimic the sounds of nature completely as an instrument, or as an experimental, changing timbre. One of the earliest archetypes of the singing form of this kind of human voice music thinking appeared in the "after Night aria" of the national narrative opera "Phantom" by European classical composer Mozart. Voice is used as instrumental music to mimic nightingale. 20th century European "neo-humanist music", Mongolia's "Humai art", "long tune" and "onomatopoeia (Scatsinging)" in jazz all share the same idea of "imitating instrumental music". This paper will take jazz onomatopoeia singing in onomatopoeia singing as the research object, and study the origin and basic rules of jazz onomatopoeia singing (Scat singing) in jazz music performance. Jazz onomatopoeia singing is different from other onomatopoeia singing, it completely separated from "confirm the written music score", and combined with the jazz instrumental music playing harmony theory, impromptu way and so on to carry on the live performance. Through the practice and study of the graduate students majoring in jazz during their three years of study, this paper draws lessons from and compares the different singing characteristics of the famous contemporary jazz singers. This paper discusses how to imitate different instrumental music and how to perform jazz onomatopoeia impromptu singing in jazz onomatopoeia singing. The author will put forward the idea of combining singing and playing to make Chinese jazz singers come into contact with jazz onomatopoeia singing skills, and hope that jazz onomatopoeia singing can really land in China.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J616;J62

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1 洪崢一;爵士擬聲演唱與樂器結(jié)合演奏相結(jié)合的技術(shù)特征初探[D];上海音樂學(xué)院;2017年

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本文編號：2486038