【摘要】：20世紀80年代初,美國民族音樂學開始關(guān)注“音樂與認同”的關(guān)系問題,美國民族音樂學家蒂莫西·賴斯(Timothy Rice)2007年以來發(fā)表的兩篇文章,對此方面的研究歷史進行了綜述、梳理和評論。自20世紀90年代,中國學者亦開始借鑒人類學的同類研究方法及成果,對于中國漢族傳統(tǒng)音樂及少數(shù)民族音樂與文化認同的關(guān)系問題展開一系列的討論和研究,如今也已取得令人矚目的研究成果。本期學報“音樂與認同”研討專題推出的一組以中國少數(shù)民族音樂為對象的相關(guān)學術(shù)論文,便集中體現(xiàn)了該學術(shù)領(lǐng)域的最新進展。
[Abstract]:In the early 1980s, American ethnomusicology began to pay attention to the relationship between "music and identity". Two articles published by (Timothy Rice) (Timothy Rice), an American ethnomusicist since 2007, reviewed the research history in this field. Comb and comment. Since the 1990s, Chinese scholars have also begun to draw lessons from similar anthropological research methods and achievements to carry out a series of discussions and studies on the relationship between Chinese Han traditional music and minority music and cultural identity. Now also has achieved remarkable research results. A group of related academic papers aimed at the music of ethnic minorities in China, which are put forward on the topic of Music and identity in this issue, focuses on the latest progress in this academic field.
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