發(fā)布時(shí)間：2019-05-12 16:43

【摘要】：樸瑞星是中國(guó)當(dāng)代一位極富創(chuàng)造力的朝鮮族作曲家,他的創(chuàng)作根基牢牢扎根于朝鮮族音樂(lè)之中。他善于將朝鮮族傳統(tǒng)樂(lè)器和西方樂(lè)器揉合在一起,以及將朝鮮族音樂(lè)元素融入到作品之中,推陳出新,既不失交響樂(lè)的磅礴大氣,又能充分展現(xiàn)朝鮮族音樂(lè)的細(xì)膩音響特色。小提琴協(xié)奏曲《長(zhǎng)白魂》是樸瑞星的代表作品之一,此作品的音樂(lè)語(yǔ)匯具有創(chuàng)新性、多元性及鮮明的民族性特征。本文以小提琴協(xié)奏曲《長(zhǎng)白魂》為研究對(duì)象,從以下幾個(gè)方面對(duì)該作品進(jìn)行了詳細(xì)的分析與論述:1、主題四音列對(duì)整部作品的統(tǒng)一作用。2、奏鳴曲式結(jié)構(gòu)當(dāng)中調(diào)性遠(yuǎn)離的處理。3、對(duì)于朝鮮族特有的“長(zhǎng)短”節(jié)奏進(jìn)一步研究,主要包括:基本節(jié)奏型、變化節(jié)奏型、混合長(zhǎng)短在作品中的運(yùn)用;并發(fā)現(xiàn)了“長(zhǎng)短”所包括的復(fù)合型內(nèi)涵及本身的重要特征。本文由緒論、三個(gè)章節(jié)主體部分及結(jié)語(yǔ)五大模塊構(gòu)成:緒論,就該課題研究目的、意義和實(shí)用價(jià)值及在國(guó)內(nèi)外的研究現(xiàn)狀、發(fā)展動(dòng)態(tài)加以說(shuō)明和闡述;第一章,是對(duì)樸瑞星個(gè)人簡(jiǎn)介、作品創(chuàng)作背景的整體概述及靈感來(lái)源;第二章,創(chuàng)作技法分析。從主題與四音列的發(fā)展模式、作品結(jié)構(gòu)布局、和聲特征、配器手法這四方面對(duì)《長(zhǎng)白魂》進(jìn)行具體分析;第三章,對(duì)該作品中運(yùn)用朝鮮族音樂(lè)元素的體現(xiàn)進(jìn)行了具體分析。結(jié)語(yǔ),樸瑞星在音樂(lè)中對(duì)西方現(xiàn)代作曲技法和朝鮮族音樂(lè)元素的結(jié)合做了概括性總結(jié)。樸瑞星以其深沉的民族情懷,將朝鮮族音樂(lè)素材和西方作曲技法巧妙融合在一起,運(yùn)用朝鮮族“長(zhǎng)短”節(jié)奏的律動(dòng)與西方節(jié)奏、節(jié)拍之間的交織,樂(lè)器之間的音色碰撞等手法充分展現(xiàn)民族音樂(lè)特有的藝術(shù)性。作為朝鮮族作曲家,擔(dān)負(fù)對(duì)本民族文化的傳承和探求的歷史責(zé)任,獲取創(chuàng)作中的寶貴經(jīng)驗(yàn),再運(yùn)用到我們的音樂(lè)創(chuàng)作及研究。
[Abstract]:Park Ruixing is a creative Korean composer in contemporary China. His creation is firmly rooted in Korean music. He is good at combining the traditional Korean musical instruments with western musical instruments, as well as the elements of Korean music into the works, promote the new, not only without losing the majestic atmosphere of symphony, but also can fully display the delicate sound characteristics of Korean music. Violin Concerto Changbai Soul is one of Park Ruixing's representative works. The musical vocabulary of this work has innovative, pluralistic and distinctive national characteristics. Taking the Violin Concerto "the Soul of Changbai" as the research object, this paper makes a detailed analysis and discussion of this work from the following aspects: 1, the unifying effect of the theme four-tone series on the whole work. Third, the further study of the "length" rhythm of Korean nationality, mainly including: basic rhythm type, change rhythm type, mixed length in the use of the work; 3, further research on the "length" rhythm of Korean nationality's unique "length" is made up of: the basic rhythm type, the variation rhythm type and the mixed length in the works; The compound connotation and its own important characteristics of "length and length" are also found. This paper consists of the introduction, the main body of three chapters and the conclusion of five modules: introduction, the purpose, significance and practical value of the subject and the current research situation at home and abroad, development trends to explain and elaborate; The first chapter is the personal introduction of Park Ruixing, the overall overview of the creation background and the source of inspiration; the second chapter, the analysis of creative techniques. This paper makes a concrete analysis of Changbai Soul from four aspects: the development pattern of theme and four-tone series, the layout of works structure, the characteristics of harmony, and the orchestration technique. In the third chapter, the embodiment of the application of Korean music elements in this work is analyzed concretely. In conclusion, Park Ruixing makes a general summary of the combination of western modern composition techniques and Korean music elements in music. Park Ruixing, with his deep national feelings, merges the material of Korean music and western composing techniques skillfully, using the rhythm of the Korean nationality's "length" rhythm, the western rhythm, and the interweaving between the rhythm and the rhythm of the West. The timbre collision between musical instruments fully shows the unique artistry of national music. As a Korean composer, he bears the historical responsibility for the inheritance and exploration of his own culture, obtains valuable experience in his creation, and then applies it to our music creation and research.
【學(xué)位授予單位】：中國(guó)音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J622.1

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本文編號(hào)：2475523