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歌手在演唱流行歌曲時(shí)的“角色”定位分析

發(fā)布時(shí)間:2019-05-12 10:50
【摘要】:流行歌曲時(shí)常因其篇幅所限,而使得歌手對(duì)于作品的表達(dá)不夠完整,因此筆者就希望能夠通過一種方法來幫助歌手更加完整地演繹歌曲。本文筆者從音樂劇演員所飾演的角色上獲得靈感,進(jìn)而想到了可將流行歌曲當(dāng)做劇本,歌手便可以此為依據(jù)來塑造一個(gè)角色,從而更加全面地表達(dá)歌曲。本文通過一種對(duì)比和類推的方式,將流行歌曲和劇本做一個(gè)對(duì)等,以便歌手可以以此為據(jù)來塑造角色。而這種方法不但可以使流行歌手們更好的完成歌曲,而且還能給他們樹立起一種演員的意識(shí),進(jìn)而拓寬他們的思路。
[Abstract]:Pop songs are often limited in length, which makes the singer's expression of the work not complete enough, so the author hopes to help the singer perform the song more completely by a way. In this paper, the author gets inspiration from the characters played by musical actors, and then thinks that pop songs can be used as scripts, and singers can shape a role on this basis, so as to express songs more comprehensively. In this paper, pop songs and scripts are equated with each other by comparison and analogy, so that singers can use them as a basis for shaping roles. This method can not only make pop singers finish the songs better, but also give them a sense of actors, and then broaden their thinking.
【學(xué)位授予單位】:四川師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J616

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 楊華;;聲樂的藝術(shù)性——談作品的二度創(chuàng)作[J];內(nèi)蒙古電大學(xué)刊;2006年07期



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