挑輪技法在琵琶作品中的運用
發(fā)布時間：2019-05-07 11:40
【摘要】：輪指是琵琶演奏中最具魅力的表現(xiàn)手法,在琵琶技法中占具著至關(guān)重要的位置,其變化形式種類繁多,所表現(xiàn)的音色、風(fēng)格和情感也不盡相同。挑輪是輪指類組合技法中最獨特的一種,相比較單一形態(tài)的輪指,挑輪的運用可以將單聲部的旋律線條豐富成多聲部織體形式,打破傳統(tǒng)輪指的單一性。大指所挑的弦音既可以為四指輪旋律聲部的伴奏,又可以作為主旋律呼應(yīng)四指輪的伴奏,在豐富了琵琶演奏技法的同時,更能發(fā)揮琵琶的音樂表現(xiàn)力,使琵琶作為獨奏樂器展現(xiàn)在世人面前猶如樂隊般展現(xiàn)出超凡的渲染力,也使得琵琶被譽為“彈撥樂器之王”的稱號。本文通過對琵琶右手技法“挑輪”的深入研究,將挑輪的形式分為四大類,并從琵琶傳統(tǒng)樂曲、近現(xiàn)代作品,以及挑輪的延伸發(fā)展入手,分析挑輪的運用手法及運用意圖,發(fā)掘挑輪在作品中的重要性,力圖為學(xué)者學(xué)習(xí)挑輪和作曲家采用琵琶挑輪技法進行創(chuàng)作提供有益的幫助。
[Abstract]:The rotation finger is the most attractive expression method in pipa performance, which occupies an important position in the pipa technique, its variety of forms, the performance of the timbre, style and emotion are not always the same. The pick wheel is one of the most unique techniques in the combination of ring fingers. Compared with the single shape of the wheel finger, the use of the pick wheel can enrich the melody lines of the monophonic part into the form of multi-part texture, and break the unity of the traditional finger. The string tone chosen by the big finger can not only be the accompaniment of the melodic part of the four-finger wheel, but also the accompaniment of the main melody to the four-finger wheel, which not only enriches the technique of playing the pipa, but also brings into play the musical expression of the pipa. So that the pipa as a solo instrument in front of the world like a band to show extraordinary rendering power, also make the pipa is known as the "king of plucked instruments" title. Based on the in-depth study of Pipa's right hand technique "pick wheel", this paper divides the form of pick wheel into four categories, and starts with the development of traditional music of pipa, modern works, and the extension of pick wheel, and analyzes the application technique and intention of pick wheel. To explore the importance of pick-up wheel in the works, try to provide a useful help for scholars to learn how to use pipa wheel-pick techniques for scholars and composers to create.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.33
本文編號：2471046
[Abstract]:The rotation finger is the most attractive expression method in pipa performance, which occupies an important position in the pipa technique, its variety of forms, the performance of the timbre, style and emotion are not always the same. The pick wheel is one of the most unique techniques in the combination of ring fingers. Compared with the single shape of the wheel finger, the use of the pick wheel can enrich the melody lines of the monophonic part into the form of multi-part texture, and break the unity of the traditional finger. The string tone chosen by the big finger can not only be the accompaniment of the melodic part of the four-finger wheel, but also the accompaniment of the main melody to the four-finger wheel, which not only enriches the technique of playing the pipa, but also brings into play the musical expression of the pipa. So that the pipa as a solo instrument in front of the world like a band to show extraordinary rendering power, also make the pipa is known as the "king of plucked instruments" title. Based on the in-depth study of Pipa's right hand technique "pick wheel", this paper divides the form of pick wheel into four categories, and starts with the development of traditional music of pipa, modern works, and the extension of pick wheel, and analyzes the application technique and intention of pick wheel. To explore the importance of pick-up wheel in the works, try to provide a useful help for scholars to learn how to use pipa wheel-pick techniques for scholars and composers to create.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.33
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