卡契尼《新音樂》中兩首詠嘆調(diào)研究
發(fā)布時(shí)間:2019-04-30 18:15
【摘要】:朱里歐-卡契尼(Giolio Caccini,1551-1618)是巴洛克前期的作曲家,以《新音樂》曲集及其聲樂理論在西方音樂史上流傳至今,《阿瑪莉莉》更是不朽的名曲。本文主要研究卡契尼的詠嘆調(diào),根據(jù)巴洛克詩歌的風(fēng)格進(jìn)行分類,選取兩首詠嘆調(diào)進(jìn)行探究,分別是《聽啊,聽啊,愛信們》和《美麗的紫紅玫瑰》全文分為三章,首先探討作曲家的生平事跡以及音樂的創(chuàng)新之處,并進(jìn)一步解釋卡契尼《新音樂》中序論的聲樂理論,包括他對(duì)聲樂的見解以及演唱的方法。之后本人根據(jù)《新音樂》詠嘆調(diào)里面的詩詞作者進(jìn)行分類,根據(jù)意大利詩歌的基本格律,做出這兩首歌的詮釋。
[Abstract]:Giolio Caccini,1551-1618 is the early composer of Baroque. The works of "New Music" and his theory of vocal music have been circulating in the history of western music until now, and "Amari Lily" is an immortal song. This article mainly studies the arias of Kachini, classifies them according to the style of Baroque poetry, and chooses two arias to explore, that is, "listen, Love," and "Beautiful Purple and Red Rose", which are divided into three chapters: "listen, Love" and "Beautiful Purple and Red Rose" are divided into three chapters. First of all, the author discusses the composer's life story and the innovation of music, and further explains the vocal music theory of the preface in Kacini's New Music, including his opinion on vocal music and the method of singing. After that, I classify the poems according to the aria of New Music, and make the interpretation of these two songs according to the basic rules of Italian poetry.
【學(xué)位授予單位】:武漢音樂學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J605
本文編號(hào):2468931
[Abstract]:Giolio Caccini,1551-1618 is the early composer of Baroque. The works of "New Music" and his theory of vocal music have been circulating in the history of western music until now, and "Amari Lily" is an immortal song. This article mainly studies the arias of Kachini, classifies them according to the style of Baroque poetry, and chooses two arias to explore, that is, "listen, Love," and "Beautiful Purple and Red Rose", which are divided into three chapters: "listen, Love" and "Beautiful Purple and Red Rose" are divided into three chapters. First of all, the author discusses the composer's life story and the innovation of music, and further explains the vocal music theory of the preface in Kacini's New Music, including his opinion on vocal music and the method of singing. After that, I classify the poems according to the aria of New Music, and make the interpretation of these two songs according to the basic rules of Italian poetry.
【學(xué)位授予單位】:武漢音樂學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J605
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 李芙;略瞥歐洲聲樂教育史及其引發(fā)的若干思考[J];樂府新聲(沈陽音樂學(xué)院學(xué)報(bào));2003年02期
,本文編號(hào):2468931
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