【摘要】：蒙古族高音四胡是內(nèi)蒙古地區(qū)具有代表性的民族樂器,是我國(guó)第一批國(guó)家級(jí)非物質(zhì)文化遺產(chǎn),隨著新中國(guó)成立后的不斷發(fā)展,四胡不僅可以作為好來寶等音樂題材的伴奏樂器也可以作為一種獨(dú)奏樂器出現(xiàn)在舞臺(tái)上,蒙古族高音四胡音質(zhì)獨(dú)特,擅長(zhǎng)表現(xiàn)歡快的樂曲,具有鮮明的民族特色。本文將運(yùn)用調(diào)研法、比較法等研究方法,對(duì)比蒙古族高音四胡與二胡從形制、演奏技法、以及作品現(xiàn)狀和教育現(xiàn)狀等方面的差異,找到四胡存在的差距與不足。探索蒙古族高音四胡進(jìn)一步發(fā)展的空間與可能性。
[Abstract]:Mongolian high-pitched four-Hu is a representative national musical instrument in Inner Mongolia and the first batch of national intangible cultural heritage in China. With the establishment of the people's Republic of China, it has been developing continuously since the founding of the people's Republic of China. Four Hu can not only be used as accompaniment to Hailaibao, but also as a solo instrument on the stage. The Mongolian high-pitched four-Hu is unique in quality, good at performing cheerful music, and has distinct national characteristics. The four-Hu can be used as an accompaniment to music such as Hailaibao and can be used as a solo instrument. This article will use the research method, the comparative method and so on research method, compares the Mongolian high-pitched four Hu and the erhu from the form system, the performance technique, as well as the work present situation and the education present situation and so on difference, finds the four Hu existence gap and the deficiency. To explore the space and possibility of further development of Mongolian high-pitched four-Hu.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.2

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相關(guān)碩士學(xué)位論文 前1條

1 朱皓麟;當(dāng)代二胡制作工藝研究[D];河南大學(xué);2016年

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本文編號(hào)：2467177