【摘要】：薩爾瓦多·夏利諾(SalvatoreSciarrino 1947-)是活躍于當今歐洲樂壇的意大利先鋒派作曲家。他的作品里經(jīng)常充斥著令人耳目一新的聽覺感受,并洋溢出濃厚的個人色彩。本文以夏利諾的室內(nèi)樂作品《黑暗之序言》(Inntroduzione ll'Oscuro)作為研究對象,重點分析作曲家以“元音響材料”為核心的創(chuàng)作理念和他獨特的個人音樂語言,并以此延伸出對現(xiàn)代音樂創(chuàng)作理念的一些思考。本文分為三個章節(jié):第一章簡要介紹作曲家生平及創(chuàng)作、《黑暗之序言》的寫作背景。第二章對作品進行作曲技術分析,包括元音響材料分析、結構分析、配器分析等。第三章總結歸納作曲家的創(chuàng)作特點,并試論“元音響材料”創(chuàng)作理念對于現(xiàn)代音樂創(chuàng)作的影響與啟示。
[Abstract]:El Salvador SalvatoreSciarrino (1947 -) is an avant-garde Italian composer active in European music today. His works are often filled with refreshing and personal feelings. This paper focuses on the creative idea of the composer's "meta-audio material" and his unique personal musical language, taking (Inntroduzione ll'Oscuro) as the object of study in his indoor music work, "Preface to the Dark", and focuses on the analysis of the composer's creative idea with "meta-audio material" as the core. And with this extends to the modern music creation idea some ponders. This paper is divided into three chapters: the first chapter briefly introduces the composer's life and creation, the background of the Prologue to the Dark. The second chapter analyzes the composition technology, including meta sound material analysis, structure analysis, orchestration analysis and so on. The third chapter summarizes the creative characteristics of composers, and tries to discuss the influence and enlightenment of the concept of "meta-audio materials" on modern music creation.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J614

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