【摘要】：弗里德里克·肖邦(1810-1849),是波蘭著名的浪漫主義作曲家、鋼琴演奏家,也是19世紀(jì)歐洲最有影響力的藝術(shù)家之一。肖邦從小熱愛(ài)音樂(lè),并將這一愛(ài)好融入到了他整個(gè)的生命歷程中。通過(guò)不斷的摸索和努力,肖邦在鋼琴音樂(lè)的創(chuàng)造上取得了極高的造詣。除了創(chuàng)作了一系列具有戰(zhàn)斗性的鋼琴曲目以外,他還將夜曲、敘事曲等多種類(lèi)型的鋼琴音樂(lè)體裁發(fā)揮到了極致。毋庸置疑,肖邦不僅是對(duì)整個(gè)西方音樂(lè)史具有重要意義的靈魂級(jí)藝術(shù)家,同時(shí)也是為整個(gè)人類(lèi)社會(huì)留下了寶貴財(cái)富的杰出鋼琴音樂(lè)家。肖邦開(kāi)創(chuàng)了敘事曲體裁的先河,并將敘事曲的音樂(lè)運(yùn)用到鋼琴創(chuàng)作中,同時(shí)也在其作品中顯示出浪漫主義的色彩,即其創(chuàng)造的作品無(wú)論從曲式結(jié)構(gòu)、精神層面或是和聲織體等方面,都突顯出浪漫主義創(chuàng)作的特質(zhì),這些特質(zhì)讓敘事曲成為當(dāng)時(shí)最具有代表性的作品,為后期器樂(lè)體裁的敘事曲奠定了堅(jiān)實(shí)的基礎(chǔ)和全新的定義。因此他被西方國(guó)家譽(yù)為“鋼琴詩(shī)人”。本論文的研究方向是從肖邦四首敘事曲的創(chuàng)作背景、體裁特征的角度出發(fā),通過(guò)閱讀大量的文獻(xiàn),并結(jié)合個(gè)人的演奏體會(huì)來(lái)更準(zhǔn)確地理解音樂(lè)作品的內(nèi)涵。在曲式結(jié)構(gòu)方面,通過(guò)參考及查閱中外學(xué)者的評(píng)論研究來(lái)細(xì)致分析肖邦創(chuàng)作中的特點(diǎn)和創(chuàng)新。本文通過(guò)理論分析和演奏實(shí)踐的結(jié)合,對(duì)肖邦敘事曲有了更為清晰和詳細(xì)的認(rèn)識(shí),進(jìn)而提升了作品演奏中更高的思想境界。
[Abstract]:Friedrich Chopin (1810-1849) is a famous Polish romantic composer, piano player and one of the most influential artists in Europe in the 19th century. Chopin loved music from an early age and incorporated it into his entire life. Through continuous exploration and effort, Chopin has achieved great attainments in the creation of piano music. In addition to creating a series of combat piano repertoire, he also brought into full play a variety of piano music genres, such as nocturnal music, narrative music, and so on. There is no doubt that Chopin is not only a spiritual artist who is of great importance to the history of western music, but also an outstanding piano musician who has left valuable wealth for the whole human society. Chopin pioneered the genre of narrative music, and applied the music of narrative music to piano creation. At the same time, Chopin also showed the romantic color in his works, that is, the works created by Chopin no matter from the musical structure, The characteristics of romanticism are highlighted in the aspects of spirit and sound texture, which make narratology the most representative work at that time, and lay a solid foundation and a brand-new definition for the narrative song of later instrumental genre. So he was hailed as the Piano Poet in the West. The research direction of this thesis is to understand the connotation of music works more accurately from the perspective of Chopin's four narrative songs' creation background and genre characteristics by reading a large number of documents and combining personal playing experience. In the aspect of musical structure, the characteristics and innovation of Chopin's creation are analyzed by referring and consulting the research of Chinese and foreign scholars' comments. Through the combination of theoretical analysis and performance practice, this paper has a clearer and more detailed understanding of Chopin narrative songs, and then promotes a higher ideological realm in the performance of works.
【學(xué)位授予單位】：齊齊哈爾大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J624.1

【參考文獻(xiàn)】

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本文編號(hào)：2442463