【摘要】：古爾德是著名的鋼琴演奏家、作曲家,他一生演奏了巴赫幾乎所有鋼琴作品,是最有影響的巴赫作品詮釋者。他對(duì)對(duì)位法的熟悉,對(duì)指尖觸鍵的嗜好,常使得創(chuàng)意曲中的快速節(jié)奏與巧妙的聲部處理能夠創(chuàng)造性的結(jié)合起來(lái),并且在各個(gè)要素中都體現(xiàn)出"拼貼"的思維特征。本文主要從巴赫二、六、九首創(chuàng)意曲中的演奏術(shù)語(yǔ)、結(jié)構(gòu)、技法、聲部等要素方面,透視古爾德的"拼貼"思維特點(diǎn)。
[Abstract]:Gould is a famous pianist and composer who has played almost all of Bach's piano works all his life and is the most influential interpreter of Bach's works. His familiarity with opposites and his fondness for fingertip touch often make creative combination of the fast rhythm of creative music and the skillful processing of the sound part, and embody the "collage" thinking feature in every element. This paper explores Gould's thinking characteristics of collage from the aspects of playing terms, structure, technique and sound in Bach's two, six and nine creative songs.
【作者單位】： 廣西師范大學(xué)音樂(lè)學(xué)院鋼琴系;
【分類號(hào)】：J624.1
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本文編號(hào)：2442057