【摘要】：馬來(lái)西亞華人社會(huì)在承襲中華傳統(tǒng)文化的過(guò)程中,終究秉持著一股堅(jiān)強(qiáng)的精神與執(zhí)著,在經(jīng)過(guò)兩百多年的實(shí)踐與延續(xù)才能闖出今天的成就,同時(shí)也成為了中國(guó)海外華人的楷模。馬來(lái)西亞華人文化是豐富多元的,其中包括習(xí)俗、方言、信仰、藝術(shù)、社群組織及多方面的人文與社會(huì)遺產(chǎn),甚至還依然保存著一些現(xiàn)今中國(guó)已逐漸銷(xiāo)聲匿跡的地方文化。身為海外華人的一部分,應(yīng)當(dāng)了解華人文化中的基本含義與價(jià)值,讓華人對(duì)于本身的傳統(tǒng)文化和民族認(rèn)同有著強(qiáng)烈的自保意識(shí),故此海外華人文化的研究顯得特別重要。中國(guó)二胡流傳到馬來(lái)西亞并構(gòu)成了華人文化里的其中一個(gè)重要分支,因此二胡在馬來(lái)西亞傳播的文化現(xiàn)象是非常值得我們?nèi)ミM(jìn)行研究的。本文第一章略論中國(guó)二胡在馬來(lái)西亞傳播的歷史文化背景。筆者從馬來(lái)西亞華人群體的由來(lái)開(kāi)始闡述,到構(gòu)建華人社會(huì)與其文化,并解析在華人音樂(lè)源流中二胡是如何傳播到馬來(lái)西亞的。第二章主要記載二胡在馬來(lái)西亞的重大事跡;其中包括比賽、考級(jí)與重大的演出活動(dòng),并思考這些重大事跡如何成為馬來(lái)西亞二胡藝術(shù)發(fā)展的重要里程碑。第三章則主要通過(guò)幾個(gè)方面去探討二胡在馬來(lái)西亞的發(fā)展現(xiàn)狀,在思考的過(guò)程中給予個(gè)人的發(fā)展構(gòu)想,冀望對(duì)將來(lái)這方面的研究人員有所幫助與啟發(fā)。
[Abstract]:In the process of inheriting the traditional Chinese culture, the Malaysian Chinese society, after all, adheres to a strong spirit and persistence. After more than two hundred years of practice and continuation, the Malaysian Chinese society can break through today's achievements, and at the same time it has also become a model for Chinese overseas Chinese. Malaysian Chinese culture is rich in diversity, including customs, dialects, beliefs, arts, community organizations, and many aspects of human and social heritage, and even preserves some of the local cultures that are now disappearing in China. As a part of the overseas Chinese, we should understand the basic meaning and value of the Chinese culture, so that the Chinese have a strong sense of self-protection for their traditional culture and national identity, so the study of the overseas Chinese culture is particularly important. Erhu spread to Malaysia and formed one of the important branches of Chinese culture. Therefore, the cultural phenomenon of erhu spread in Malaysia is worthy of our study. The first chapter briefly discusses the historical and cultural background of the spread of Chinese Erhu in Malaysia. From the origin of the Chinese community in Malaysia, to the construction of the Chinese society and its culture, the author analyzes how the Erhu spread to Malaysia in the origin of Chinese music. The second chapter mainly records the important deeds of Erhu in Malaysia, including competitions, examinations and major performances, and ponders how these important deeds become important milestones in the development of Erhu art in Malaysia. The third chapter mainly discusses the development of erhu in Malaysia through several aspects, in the process of thinking to give personal development ideas, hoping to help and enlighten researchers in this field in the future.
【學(xué)位授予單位】：中央音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J632.21

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本文編號(hào)：2435479