【摘要】：大管的前身是中亞地區(qū)的一種古老的雙簧樂器,后來傳入古希臘演變?yōu)橐环N較為原始的雙排管身的管樂器——阿夫洛斯管(Aulos)。16世紀(jì)40年代,意大利天主教修道院長阿夫拉尼奧(Alfranio)改造了雙簧類樂器,使用U形管將兩個(gè)管體相連接并且逐漸形成了與現(xiàn)代大管較為接近的樂器。因?yàn)樾螤羁崴埔焕Σ?所以意大利語中命名為Fagotto(一捆柴)。本論文主要以大管演奏時(shí)的氣息、口型、指法、哨片以及所使用的樂器為研究對象,通過對這些因素在音樂作品中的應(yīng)用來探析大管演奏中音質(zhì)音準(zhǔn)的調(diào)控。全文共分為三章:第一章是大管的起源、發(fā)展及大管在樂隊(duì)中的作用;第二章是影響大管音質(zhì)音準(zhǔn)的幾個(gè)主要因素即(1)氣息(2)口型(3)指法(4)哨片(5)樂器質(zhì)量;第三章是在音樂作品中氣息、口型、指法等因素對音質(zhì)音準(zhǔn)的調(diào)控。
[Abstract]:Its predecessor was an ancient double-spring instrument in Central Asia, which was later introduced into ancient Greece to become a more primitive two-legged wind instrument, the Avros (Aulos). In the 1640s. The Italian Catholic monastery, Avranio (Alfranio), reinvented the double spring musical instrument, using the U-shaped tube to connect the two tubes and gradually formed a musical instrument which was closer to the modern tubules. Because it looks like a bundle of wood, it is named Fagotto in Italian. In this paper, the breath, mouthpiece, finger, sentinel film and the musical instrument used in the performance of the tubule are taken as the research objects, and the regulation of the tone quality in the playing of the tubule is analyzed through the application of these factors in the musical works. The full text is divided into three chapters: the first chapter is the origin, development and role of the tubing in the band; The second chapter is the main factors that affect the sound quality of the tubule: (1) breath (2) mouthpiece (3) finger (4) sentinel (5) instrument quality; The third chapter is in the music works in the breath, the oral shape, the finger and so on factor to the timbre control.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J621.5

【相似文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 劉洋;大管演奏中音質(zhì)音準(zhǔn)調(diào)控探析[D];西安音樂學(xué)院;2016年

，

本文編號：2427145