【摘要】：《地球累了》是委內(nèi)瑞拉當(dāng)代作曲家阿爾貝托·格勞于上世紀(jì)90年代為聯(lián)合國(guó)"國(guó)際拯救地球日"活動(dòng)而創(chuàng)作的一首無(wú)伴奏合唱作品。作品主題鮮明,具有時(shí)代特點(diǎn),且當(dāng)代音樂(lè)寫作技術(shù)特點(diǎn)尤其明顯。從聽覺(jué)和視覺(jué)上講,該音樂(lè)作品讓我們感覺(jué)新鮮和獨(dú)特:變換多樣的節(jié)奏、特殊的音響效果、調(diào)性的似是而非、紛繁復(fù)雜的肢體動(dòng)作,等等。然而,當(dāng)我們仔細(xì)研究樂(lè)譜后發(fā)現(xiàn),它又不是完全意義上的現(xiàn)代風(fēng)格的合唱作品:作品的曲式結(jié)構(gòu),部分和聲功能又有著非常明顯的傳統(tǒng)手法的印記,顯示出作曲家創(chuàng)作思路中對(duì)于傳統(tǒng)的運(yùn)用顯得自然流暢而不著痕跡。近年來(lái),我國(guó)合唱團(tuán)對(duì)此作品多有偏愛(ài),并將此作品作為當(dāng)代合唱作品中兼具難度與藝術(shù)性的代表作之一。是什么因素構(gòu)成了這首作品的藝術(shù)成就?從合唱藝術(shù)的角度看,這首作品的價(jià)值和意義體現(xiàn)在哪里?本文立足于指揮的視角,從作品藝術(shù)創(chuàng)作手法的微觀角度出發(fā),對(duì)作品中的節(jié)奏手法進(jìn)行深入剖析和研究,以圖提煉出對(duì)于合唱音樂(lè)創(chuàng)作與表演具有理論價(jià)值意義的內(nèi)容,為實(shí)踐提供科學(xué)的理論依據(jù)。
[Abstract]:Tired Earth is a non-accompaniment composed by Venezuelan contemporary composer Alberto Grau in the 1990s for the UN's International Save the Earth Day. The theme of the work is bright, with the characteristics of the times, and the technical characteristics of contemporary music writing is particularly obvious. Audibly and visually, the music makes us feel new and unique: varied rhythms, special sound effects, specious tonality, complicated body movements, and so on. However, when we look closely at the score, we find that it is not a choral work of modern style in a complete sense: the composition of the work, part of the harmony function has the imprint of a very obvious traditional technique. It shows that the traditional use of the composer's creative ideas is natural and smooth without trace. In recent years, the choir of our country has a preference for this work, and regards it as one of the representative works of both difficulty and artistry in contemporary chorus works. What factors make up the artistic achievement of this work? From the point of view of choral art, where is the value and significance of this work? Based on the angle of command and from the micro point of view of artistic creation, this paper makes a thorough analysis and research on the rhythmic techniques in the works, in order to extract the content of theoretical value for the creation and performance of choral music. To provide scientific theoretical basis for practice.
【作者單位】： 中央民族大學(xué)(音樂(lè)學(xué)院);
【分類號(hào)】：J613.7

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