演唱實踐中“聲門適度感”的相關問題
發(fā)布時間：2019-02-13 22:00
【摘要】：西洋唱法誕生距今已有四百多年。隨著中西方文化交流的日漸頻繁,“聲門適度感”在聲樂演唱和教育過程中的重要作用,引起了國內外越來越多的學者的關注。本文是筆者在前人對發(fā)聲過程中聲門運動狀態(tài)研究的基礎上,進一步對演唱實踐中“聲門適度感”進行相關的研究。本文分為四個章節(jié)。第一章節(jié)主要是“聲門適度感”的內涵及其理論形成。筆者主要以國內外兩個最具有代表性的理論依據(jù)為表述對象,一個是加爾西亞(子)發(fā)明了喉鏡并提出的“聲門沖擊”學說。從生理學上對歌唱過程中的聲門運動狀態(tài)進行了詳細的研究,還糾正了一些歌者在學唱的過程中可能會出現(xiàn)的聲帶閉合不良、漏氣、吸氣乏力、聲音嘶啞等常見毛病,同時強化各部分嗓音器官的功能。另一個是我國著名的聲樂教育家沈湘先生,在前人的基礎上對歌唱中的聲門狀態(tài)進行進一步研究,并首次提出“聲門適度感”的概念。同時筆者還簡單的介紹了一些其他歌唱家、教育家以及不同水平階段的學者們,對演唱實踐中“聲門適度感”進行的不同程度和角度相關研究。第二章筆者分別從物理學基礎、生理學基礎和心理學基礎三個方面來研究。重點針對從事聲樂學習的眾多學者,從生理學角度對歌唱發(fā)聲機制的了解普遍欠缺的情況,詳細的解釋了歌唱發(fā)聲過程中各部位的器官和肌肉組織的協(xié)調運動,以及不同的發(fā)聲情況所對應的不同生理發(fā)聲機制。同時筆者通過物理學角度解釋了聲帶振動的基本原理,以及聲帶振動的頻率與音調、振幅與音量、振動形式與音色這些物理屬性與現(xiàn)象的關系。第三、四章是本文的重點。第三章敘述了歌唱過程中聲門狀態(tài)與呼吸狀態(tài)的關系、聲門非正常狀態(tài)的表現(xiàn)和產生原因,并重點講述了為獲得“聲門適度感”生理和心理的調控訓練。其中心理調控是筆者的重中之重。筆者詳細的論述了在訓練“聲門適度感”的過程中,心理調控對生理調控的作用和影響,以及歌者需要充分利用心理調控來指導和幫助獲得“聲門適度感”。最后一章是“聲門適度感”在演唱中的運用和啟示。筆者深入的剖析了“聲門適度感”的理論實質,列舉了非聲門適度引起的諸多具有代表性的問題,并一一提出了對應解決的方法以及可行性的訓練方法。在論述的最后,筆者結合作品,更深入的論述了“聲門適度感”在詮釋一個完整的作品過程中的運用。筆者希望通過本篇論文的詳細論述,能夠引起聲樂學者們對“聲門適度感”的重視,幫助歌者更清楚的認識自身的發(fā)聲器官,以及自身存在的歌唱潛能,為歌者解決演唱過程中遇到的常見問題提供新視角,對歌者的演唱和學習有所啟發(fā)和幫助。
[Abstract]:Western singing has been born more than 400 years ago. With the increasingly frequent cultural exchanges between China and the West, the importance of "glottic moderation" in the process of vocal music singing and education has attracted more and more scholars' attention at home and abroad. On the basis of previous researches on glottic movement state in vocal process, the author further studies the "glottic moderation" in singing practice. This paper is divided into four chapters. The first chapter is mainly about the connotation of glottic moderation and its theoretical formation. The author mainly takes two most representative theoretical bases at home and abroad as the object of expression. One is Garc 鉚 a invented laryngoscope and put forward the theory of "glottic shock". A detailed physiological study of the movement of the glottis in the process of singing has been carried out, and some common defects such as poor vocal cord closure, air leakage, inhale fatigue, hoarseness and so on may have been corrected in the process of learning and singing by some singers. At the same time, strengthen the function of each part of the voice organ. The other is Mr. Shen Xiang, a famous vocal music educator in our country, who studied the glottic state in singing on the basis of predecessors, and put forward the concept of "glottic moderation" for the first time. At the same time, the author also briefly introduces some other singers, educators and scholars at different levels, to the singing practice of "glottis moderation" in different degrees and angles of relevant research. In the second chapter, the author studies from three aspects: physics, physiology and psychology. Focusing on the many scholars engaged in vocal music learning, from a physiological point of view of the general lack of understanding of the vocal mechanism of singing, explained in detail in the process of vocal singing organs and muscle tissue coordination movement. And different physiological phonation mechanisms corresponding to different phonation conditions. At the same time, the author explains the basic principle of vocal cord vibration, and the relationship between the physical properties and phenomena of vocal cord vibration, such as frequency and tone, amplitude and volume, vibration form and timbre. The third and fourth chapters are the emphases of this paper. The third chapter describes the relationship between glottic state and respiratory state in the process of singing, the expression and cause of glottic abnormal state, and focuses on the training of physiological and psychological regulation and control for obtaining "glottic moderate sense". Among them, psychological regulation is the most important part of the author. The author discusses in detail the role and influence of psychological regulation on physiological regulation in the process of training glottic moderation, and the singer needs to make full use of psychological regulation to guide and help to obtain "glottic moderation". The last chapter is the application and enlightenment of glottis moderation in singing. The author deeply analyzes the theoretical essence of "glottic moderation", enumerates many representative problems caused by non-glottic moderation, and puts forward corresponding solutions and feasible training methods one by one. At the end of the thesis, the author discusses the application of glottic moderation in the process of interpreting a complete work. The author hopes that through the detailed discussion of this paper, it can arouse the attention of vocal music scholars to the "glottic sense", and help singers to understand their vocal organs and their singing potential more clearly. It provides a new perspective for the singer to solve the common problems encountered in the process of singing, and enlightens and helps the singer in singing and learning.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J616.2
本文編號：2421921
[Abstract]:Western singing has been born more than 400 years ago. With the increasingly frequent cultural exchanges between China and the West, the importance of "glottic moderation" in the process of vocal music singing and education has attracted more and more scholars' attention at home and abroad. On the basis of previous researches on glottic movement state in vocal process, the author further studies the "glottic moderation" in singing practice. This paper is divided into four chapters. The first chapter is mainly about the connotation of glottic moderation and its theoretical formation. The author mainly takes two most representative theoretical bases at home and abroad as the object of expression. One is Garc 鉚 a invented laryngoscope and put forward the theory of "glottic shock". A detailed physiological study of the movement of the glottis in the process of singing has been carried out, and some common defects such as poor vocal cord closure, air leakage, inhale fatigue, hoarseness and so on may have been corrected in the process of learning and singing by some singers. At the same time, strengthen the function of each part of the voice organ. The other is Mr. Shen Xiang, a famous vocal music educator in our country, who studied the glottic state in singing on the basis of predecessors, and put forward the concept of "glottic moderation" for the first time. At the same time, the author also briefly introduces some other singers, educators and scholars at different levels, to the singing practice of "glottis moderation" in different degrees and angles of relevant research. In the second chapter, the author studies from three aspects: physics, physiology and psychology. Focusing on the many scholars engaged in vocal music learning, from a physiological point of view of the general lack of understanding of the vocal mechanism of singing, explained in detail in the process of vocal singing organs and muscle tissue coordination movement. And different physiological phonation mechanisms corresponding to different phonation conditions. At the same time, the author explains the basic principle of vocal cord vibration, and the relationship between the physical properties and phenomena of vocal cord vibration, such as frequency and tone, amplitude and volume, vibration form and timbre. The third and fourth chapters are the emphases of this paper. The third chapter describes the relationship between glottic state and respiratory state in the process of singing, the expression and cause of glottic abnormal state, and focuses on the training of physiological and psychological regulation and control for obtaining "glottic moderate sense". Among them, psychological regulation is the most important part of the author. The author discusses in detail the role and influence of psychological regulation on physiological regulation in the process of training glottic moderation, and the singer needs to make full use of psychological regulation to guide and help to obtain "glottic moderation". The last chapter is the application and enlightenment of glottis moderation in singing. The author deeply analyzes the theoretical essence of "glottic moderation", enumerates many representative problems caused by non-glottic moderation, and puts forward corresponding solutions and feasible training methods one by one. At the end of the thesis, the author discusses the application of glottic moderation in the process of interpreting a complete work. The author hopes that through the detailed discussion of this paper, it can arouse the attention of vocal music scholars to the "glottic sense", and help singers to understand their vocal organs and their singing potential more clearly. It provides a new perspective for the singer to solve the common problems encountered in the process of singing, and enlightens and helps the singer in singing and learning.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J616.2
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