【摘要】：肖斯塔科維奇是蘇聯(lián)時期著名的作曲家、社會活動家。他將古典作曲技法巧妙地運(yùn)用于作曲中,并將傳統(tǒng)作曲技法發(fā)揚(yáng)光大。在此基礎(chǔ)上,他更是善于將半音化以及具有新色彩的和聲技法融入到創(chuàng)作中,這不僅在其交響音樂創(chuàng)作中經(jīng)常體現(xiàn),而且在其鋼琴前奏曲作品中也經(jīng)常會運(yùn)用此類作曲技法。本文將肖斯塔科維奇的鋼琴前奏曲作品作為研究前提,將以和聲語言以及調(diào)式的運(yùn)用作為研究的出發(fā)點(diǎn),對肖斯塔科維奇的和聲技巧運(yùn)用進(jìn)行了研究。通過對其創(chuàng)作手法深入細(xì)致地分析,總結(jié)其創(chuàng)作風(fēng)格的特征,為研究肖斯塔科維奇和聲運(yùn)用打下了基礎(chǔ)。本文主要分為四個部分展開論述:第一部分主要概述肖斯塔科維奇生平及其鋼琴創(chuàng)作,對他在不同時期創(chuàng)作的作品進(jìn)行梳理。第二部分對肖斯塔科維奇鋼琴前奏曲的調(diào)式運(yùn)用進(jìn)行研究。通過對其鋼琴前奏曲作品中的調(diào)式運(yùn)用特點(diǎn)的分析,總結(jié)其調(diào)式運(yùn)用的三種形態(tài),即同中音大小調(diào)綜合運(yùn)用,同主音大小調(diào)綜合運(yùn)用以及同名調(diào)綜合運(yùn)用。第三部分是對肖斯塔科維奇鋼琴前奏曲中的和聲語言進(jìn)行了細(xì)致的研究,著重對其和聲進(jìn)行、和弦結(jié)構(gòu)等特點(diǎn)進(jìn)行研究。第四部分基于前文研究,對肖斯塔科維奇鋼琴前奏曲的和聲技法運(yùn)用特點(diǎn)以及對后世創(chuàng)作的影響進(jìn)行分析。
[Abstract]:Shostakovich was a famous Soviet composer and social activist. He skillfully applied classical composition techniques to composition, and carried forward the traditional composing techniques. On this basis, he is more adept at integrating the semitone and the harmony technique with new color into his creation, which is often reflected not only in his symphony creation, but also in his piano prelude works. In this paper, Shostakovich's piano prelude works are taken as the premise of the research, and the use of harmony language and mode as the starting point of the study, and the application of Shostakovich's harmony technique is studied. Through the thorough and meticulous analysis of his creative techniques, the characteristics of his creative style are summarized, which lays a foundation for the study of the use of Shostakovich's harmony. This paper is divided into four parts: the first part mainly summarizes the life of Shostakovich and his piano creation, combing his works in different periods. The second part of the Shostakovich Piano Prelude of the application of the mode. Based on the analysis of the characteristics of the mode application in his piano prelude works, this paper summarizes the three forms of the mode application, that is, the comprehensive use of the same medium major minor major, the same main big minor major and the same title tone. The third part is a careful study of the harmony language in Shostakovich's piano prelude, focusing on its harmony, chord structure and other characteristics. The fourth part, based on the previous study, analyzes the application characteristics of Shostakovich piano prelude and its influence on later generations.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J624.1

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本文編號：2418222