【摘要】：亞歷山大·波爾菲里耶維奇·鮑羅丁是十九世紀(jì)俄羅斯民族樂派的代表作曲家之一。他是一位科學(xué)家,在工作之余進(jìn)行音樂創(chuàng)作且取得了優(yōu)異的成績。他的作品數(shù)目不多,但藝術(shù)價值極高,被西方的樂評家稱贊為"除了鮑羅丁,沒有哪一位音樂家可以只寫那么一點(diǎn)兒作品就能永垂不朽。"鮑羅丁的作品民族風(fēng)格強(qiáng),民間音樂的元素在作品中得到充分展現(xiàn),而復(fù)調(diào)思維是鮑羅丁作品創(chuàng)作的重要依據(jù)。本文以鮑羅丁作品中復(fù)調(diào)思維的體現(xiàn)為切入點(diǎn),從復(fù)調(diào)學(xué)科的視角,分析了作曲家作品創(chuàng)作中的復(fù)調(diào)思維的籌劃,探究了他在對格律性寫作、自由模仿運(yùn)用、音型化復(fù)調(diào)、節(jié)奏節(jié)拍的特征及多聲部對位五方面的運(yùn)用,并從作曲家的作品中可以看到復(fù)調(diào)技法有時就是和聲、結(jié)構(gòu)、音色的特殊表現(xiàn)形式,綜合藝術(shù)有時則是復(fù)調(diào)思維的集中體現(xiàn)。本文試圖通過將作曲家的復(fù)調(diào)思維與俄羅斯民間音樂的音調(diào)、和聲進(jìn)行、支聲形式等特征相結(jié)合進(jìn)行分析研究,深入而全面的探尋復(fù)調(diào)音樂創(chuàng)作技法與思維是如何與俄羅斯民族民間音樂相結(jié)合,并在作品中得以實(shí)踐從而形成其創(chuàng)作風(fēng)格的。由此可見,無論對純粹的古典復(fù)調(diào)技法的使用與對本民族民間音樂中復(fù)調(diào)形式的運(yùn)用,都是鮑羅丁作品中復(fù)調(diào)思維的體現(xiàn),他以自己強(qiáng)烈的民族風(fēng)格特征賦予了復(fù)調(diào)技法新的時代特征和生命力。
[Abstract]:Alexander Polfrievich Borodin is one of the representative composers of Russian national music in the 19 th century. He is a scientist and has made excellent achievements in music creation after work. His works are small in number, but of great artistic value, and are praised by Western music critics as "no musician but Borodin can write a piece of work that will last forever." The national style of Bowring's works is strong, the elements of folk music are fully displayed in his works, and polyphonic thinking is the important basis for his works. Based on the reflection of polyphonic thinking in Borodin's works, this paper analyzes the planning of polyphonic thinking in composers' works from the perspective of polyphonic discipline, and probes into his practice of rhythmic writing, free imitation, and phonetic polyphony. From the composer's works, we can see that the polyphonic technique is sometimes the special form of harmony, structure and tone color, and the comprehensive art is sometimes the concentrated embodiment of polyphonic thinking. This paper attempts to analyze and study the composers' polyphonic thinking with the characteristics of Russian folk music such as tone, harmony and the form of supporting sound. How to combine the techniques and thinking of polyphonic music creation with Russian folk music, and practice it in the works to form its creative style. It can be seen from this that the use of pure classical polyphonic techniques and the use of polyphonic forms in the folk music of the people are the embodiment of polyphonic thinking in Borodin's works. With his strong national style, he endowed the polyphonic technique with new characteristics of the times and vitality.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J614.2

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