從比較藝術(shù)學(xué)的視域下審視音樂與繪畫的共性
發(fā)布時間：2019-01-10 11:01
【摘要】：在當(dāng)下世界文化碰撞、交流和融匯的語境中,比較藝術(shù)學(xué)這門學(xué)科在全球化的進程中顯示出它的強勢走向。該論文的寫作是基于博士論文的基礎(chǔ)上將音樂和美術(shù)這兩個載體的對比研究變得更為具體化,從作品的分析中尋求兩種藝術(shù)形式的共性。由于音、畫兩種藝術(shù)形式采用的物質(zhì)元素有所差異,使人們在理念上形成一種固定的概念——繪畫是空間藝術(shù),而音樂是時間藝術(shù)。然而音與畫的共性通過心理的聯(lián)覺作用是可以相互轉(zhuǎn)換和滲透的。本文在梳理前人關(guān)于該課題研究成果的基礎(chǔ)上,提出了運用跨文化、跨學(xué)科的研究方法,發(fā)覺音樂和繪畫之間的內(nèi)在聯(lián)系和隱含在其間濃郁的民族風(fēng)格和民族特色,最終通過音樂中的"色"與繪畫中的"色"互為交融,從相應(yīng)的作品中找出兩者間的共性和互通性。
[Abstract]:In the context of cultural collision, communication and fusion in the present world, the subject of comparative art shows its strong trend in the process of globalization. The writing of this thesis is based on the doctoral thesis, which makes the comparative study of music and fine arts more concrete, and seeks the commonness of the two artistic forms from the analysis of the works. Because of the difference of the material elements used in the two artistic forms of painting, people have formed a fixed concept in concept: painting is the art of space, and music is the art of time. However, the commonness of sound and painting can be transformed and permeated by psychological synesthesia. On the basis of combing the previous research achievements on this subject, this paper puts forward the cross-cultural and interdisciplinary research methods, and finds out the internal relationship between music and painting and the rich national style and national characteristics hidden in it. Finally, through the combination of "color" in music and "color" in painting, the commonness and interoperability between them are found out from the corresponding works.
【作者單位】： 玉林師范學(xué)院;
【分類號】：J60-05
本文編號：2406229
[Abstract]:In the context of cultural collision, communication and fusion in the present world, the subject of comparative art shows its strong trend in the process of globalization. The writing of this thesis is based on the doctoral thesis, which makes the comparative study of music and fine arts more concrete, and seeks the commonness of the two artistic forms from the analysis of the works. Because of the difference of the material elements used in the two artistic forms of painting, people have formed a fixed concept in concept: painting is the art of space, and music is the art of time. However, the commonness of sound and painting can be transformed and permeated by psychological synesthesia. On the basis of combing the previous research achievements on this subject, this paper puts forward the cross-cultural and interdisciplinary research methods, and finds out the internal relationship between music and painting and the rich national style and national characteristics hidden in it. Finally, through the combination of "color" in music and "color" in painting, the commonness and interoperability between them are found out from the corresponding works.
【作者單位】： 玉林師范學(xué)院;
【分類號】：J60-05
【參考文獻】
相關(guān)期刊論文 前2條
1 丁昕春;;論音樂與繪畫在“色彩”上的共通性[J];音樂創(chuàng)作;2013年01期
2 何艷霞;;音樂與繪畫:鮮明的藝術(shù)個性共同的審美取向[J];山東大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2010年01期
【共引文獻】
相關(guān)期刊論文 前4條
1 馬麗;;從比較藝術(shù)學(xué)的視域下審視音樂與繪畫的共性[J];音樂創(chuàng)作;2017年07期
2 王麗;;小學(xué)音樂欣賞課教學(xué)設(shè)計實踐研究[J];科學(xué)中國人;2016年35期
3 馮彤彤;;基于音畫教學(xué)法的農(nóng)村小學(xué)音樂教學(xué)研究[J];湖北師范學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);2015年04期
4 趙晰;;音樂藝術(shù)在美育中的功能[J];大舞臺;2013年06期
【二級參考文獻】
相關(guān)期刊論文 前1條
1 錢仁康;音樂的內(nèi)容和形式[J];音樂研究;1983年01期
，本文編號：2406229
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