新中國前三十年(1949-1979年)編創(chuàng)笛曲分期考察
發(fā)布時(shí)間:2019-01-01 20:19
【摘要】:新中國前三十年是竹笛藝術(shù)由民間化向院校專業(yè)化過渡與轉(zhuǎn)換的重要時(shí)期,本文將這一階段分為三個(gè)時(shí)期:專業(yè)草創(chuàng)期(1949-1955)、專業(yè)積累期(1956-1965)、特殊發(fā)展期(1966-1979)。對(duì)此三個(gè)時(shí)期的笛曲進(jìn)行分類梳理與研究,總結(jié)此三十年間中國竹笛藝術(shù)發(fā)展經(jīng)驗(yàn)、笛曲創(chuàng)作特色及存在問題。此三個(gè)時(shí)期笛曲改編與創(chuàng)作可以“創(chuàng)編、創(chuàng)作、創(chuàng)新”來概括。笛曲創(chuàng)作隨著時(shí)代變化、音樂教育的展開,審美趣味以及思想觀念不斷變化,政治內(nèi)涵對(duì)于音樂創(chuàng)作存在著影響。通過對(duì)竹笛獨(dú)奏發(fā)展的重要開端三十年的笛曲編創(chuàng)的梳理,尋求這一時(shí)期笛樂發(fā)展的基本面貌,了解中國竹笛藝術(shù)創(chuàng)作經(jīng)驗(yàn)。進(jìn)而對(duì)笛子本身發(fā)展進(jìn)行反思,在笛曲創(chuàng)作的經(jīng)驗(yàn)與教訓(xùn)中得到啟示,對(duì)竹笛演奏藝術(shù)現(xiàn)代性做出鋪墊與指引。
[Abstract]:The first 30 years of New China is an important period for the transition and transformation of bamboo flute art from folk to college specialization. This paper divides this period into three periods: the period of professional grass creation (1949-1955), the period of professional accumulation (1956-1965). Special Development period (1966-1979). This paper classifies and studies the three periods of flute and music, summarizes the development experience of bamboo flute art in China during the past 30 years, the characteristics of flute music creation and the existing problems. In these three periods, the adaptation and creation of flute and music can be summarized by creation, creation and innovation. With the change of times, the development of music education, the change of aesthetic taste and ideology, the political connotation has an influence on music creation. Through combing the development of bamboo flute solo in the beginning of three decades, this paper seeks the basic features of the development of flute and music in this period, and finds out the artistic creation experience of bamboo flute in China. Then it reflects on the development of the flute itself, and draws inspiration from the experience and lessons in the creation of flute music, and makes a foreshadowing and guidance to the modernity of bamboo flute playing art.
【學(xué)位授予單位】:南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2016
【分類號(hào)】:J632.11
,
本文編號(hào):2398067
[Abstract]:The first 30 years of New China is an important period for the transition and transformation of bamboo flute art from folk to college specialization. This paper divides this period into three periods: the period of professional grass creation (1949-1955), the period of professional accumulation (1956-1965). Special Development period (1966-1979). This paper classifies and studies the three periods of flute and music, summarizes the development experience of bamboo flute art in China during the past 30 years, the characteristics of flute music creation and the existing problems. In these three periods, the adaptation and creation of flute and music can be summarized by creation, creation and innovation. With the change of times, the development of music education, the change of aesthetic taste and ideology, the political connotation has an influence on music creation. Through combing the development of bamboo flute solo in the beginning of three decades, this paper seeks the basic features of the development of flute and music in this period, and finds out the artistic creation experience of bamboo flute in China. Then it reflects on the development of the flute itself, and draws inspiration from the experience and lessons in the creation of flute music, and makes a foreshadowing and guidance to the modernity of bamboo flute playing art.
【學(xué)位授予單位】:南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2016
【分類號(hào)】:J632.11
,
本文編號(hào):2398067
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