【摘要】：黃翔鵬先生"同均三宮"樂(lè)學(xué)理論的提出,其歷史淵藪最早可見(jiàn)《漢書(shū)·律歷志》的"三統(tǒng)""三正""三始",以及"清商三調(diào)"、荀勖"笛上三調(diào)"�，F(xiàn)今晉北笙管樂(lè)之應(yīng)律樂(lè)器笙,為八律,"本調(diào)""尺字調(diào)""四字調(diào)"三調(diào),即為"同均三宮"。隋代"唯奏黃鐘一宮",實(shí)際上是可以奏出"正聲""下徵""清商"三宮,《隋書(shū)·音樂(lè)志》所謂"蕤賓之宮",亦即同于晉北笙管樂(lè)之"勾凡調(diào)"。清商音階的實(shí)際譜例,則可見(jiàn)宋人趙彥肅《風(fēng)雅十二詩(shī)譜》、姜夔《越九歌》,以及元代熊朋來(lái)《瑟譜》中的律呂字譜,而蔡元定《燕樂(lè)書(shū)》"俗樂(lè)以閏為正聲",《續(xù)通典》"以商名宮,即清商調(diào)也",則都可謂"同均三宮"之樂(lè)學(xué)遺存。"同均三宮"雅、俗同用,是一個(gè)客觀存在。
[Abstract]:Huang Xiangpeng put forward the music theory of "Tongzhu San Gong", whose history is the earliest to see "three unification", "three positive" and "three beginning" of "Han Dynasty", "Qing Shang three tones" and Xun Xu "three tones on the flute". Nowadays, Sheng, a musical instrument for pipe music in northern Shanxi Province, is called "eight Rhythm," Four-character tone "and" four character tone ", that is," Tongjun three Palace ". In the Sui Dynasty, "only play the first palace of Huang Zhong", in fact, can play "positive voice", "lower sign", "Qing Shang" three palaces, "Sui Shu Music Chronicles" so called "the Palace of Li Bin", that is, the same as the "Gaofan tune" of the pipe music of Sheng in the north of Jinbei. An example of the actual musical scale of the Qing Shang Dynasty can be found in the Song Dynasty's Zhao Yansu's "the Chronicles of the Twelve Poems of elegance", Jiang Kui's "Yue Nine songs", and the Song Dynasty Xiong Penglai's "Song of Lv", while Cai Yuanding's "Yan Yue Shu" the intercalated music is the positive voice ". In the name of the Shang Palace, that is, the Qing Dynasty, it can be described as "the same three Palace" music remains. " The same three houses "elegant, common use, is an objective existence."
【作者單位】： 溫州大學(xué)音樂(lè)學(xué)院;
【分類(lèi)號(hào)】：J613

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