【摘要】：竹笛是一件比較古老的樂器之一,從河南舞陽骨笛出土算起已有七八千年歷史,由此而見,竹笛具有漫長的發(fā)展時間和悠久的歷史文化意蘊。其音色非常富有魅力,竹笛這件樂器本身的性能、技法得以充分發(fā)掘,故而也形成了一批又一批的竹笛專業(yè)演奏家,為廣大人民群眾創(chuàng)造出了諸多優(yōu)秀的笛曲。而馬迪先生正是現(xiàn)當代竹笛藝術家中最為杰出的演奏家之一,也是“長安笛派”的主要代表人物之一,馬迪先生不僅擅長多種民族樂器演奏,而且在竹笛演奏技法上,經(jīng)過幾十年的學習、積淀和創(chuàng)新突破,創(chuàng)作了大量具有劃時代意義的作品,取得了諸多令人矚目的成就。與此同時,他精湛的演奏技法和獨特的演奏風格在社會上產(chǎn)生了很大的積極影響,故而在我國民族管樂演奏界有著舉足輕重的地位。筆者自幼喜愛先生的竹笛作品,文章以訪談、錄制、演奏交流的形式為切入點,結合“長安笛派”的歷史發(fā)展脈絡,從其創(chuàng)作心路、演奏技法、演奏風格、音樂思想等方面系統(tǒng)闡釋馬迪先生音樂的審美內(nèi)蘊。全文共由五個章節(jié)構成,第一章緒論從論文選題和研究意義的角度概述中國竹笛發(fā)展史;第二章介紹長安樂派、“長安笛派”和南北笛派演奏風格,以及笛派的歷史發(fā)展脈絡等等;第三章概述馬迪先生的創(chuàng)作心路,重點解讀他的演奏風格和音樂美學價值;第四章主要分析馬迪先生的5首代表作品,通過這幾首主要代表作品的分析,進而詮釋先生在笛曲上的演奏技法、創(chuàng)作技法、創(chuàng)作構思等等,這對于解讀馬迪先生的音樂風格、音樂美學思想有著極為重要的價值意義;第五章總結馬迪先生對竹笛藝術所作出的杰出貢獻。
[Abstract]:Bamboo flute is one of the oldest musical instruments. It has a history of 7,000 years since it was unearthed from the bone flute of Wuyang, Henan Province. Therefore, bamboo flute has a long development time and a long historical and cultural connotation. Its timbre is very attractive, the performance of the instrument itself, techniques can be fully explored, so it has formed a number of professional bamboo flute players, for the broad masses of people to create a lot of excellent flute music. And Mr. Madi is one of the most outstanding modern and contemporary bamboo flute artists, and one of the main representatives of Chang'an Piper School. Mr. Madi is not only good at playing a variety of national instruments, but also in the techniques of playing bamboo flute. After decades of study, accumulation and innovation, a large number of epoch-making works have been created, and many remarkable achievements have been made. At the same time, his exquisite playing techniques and unique playing style have had a great positive impact on the society, so he plays an important role in the field of national orchestral performance in our country. The author has loved his bamboo flute works since childhood. The article takes the form of interview, recording and playing communication as the starting point, combining with the historical development of Chang'an flute school, from its creative heart, playing techniques, playing style, The music thought and other aspects systematically explain the aesthetic connotation of Mr. Marty's music. The thesis consists of five chapters. The first chapter is an introduction to the history of bamboo flute development in China from the point of view of the topic selection and the significance of the research. The second chapter introduces Chang'an Music School, Chang'an Di School and the North and South flute school playing style, as well as the historical development of the flute school, and so on, the third chapter summarizes Mr. Marty's creative mind, mainly explains his playing style and music aesthetic value. The fourth chapter mainly analyzes the five representative works of Mr. Marty, through the analysis of these main representative works, and then interprets Mr. Marty's performance techniques, creative ideas and so on the flute music, which is helpful to the interpretation of Mr. Marty's musical style. The music esthetics thought has the extremely important value significance; The fifth chapter summarizes Mr. Marty's outstanding contribution to bamboo flute art.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J632.11

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