【摘要】：生態(tài)人類學(xué)視域下"文化空間"的建構(gòu)與解讀方式可以提供區(qū)域文化與特定環(huán)境問題有關(guān)的知識與方法論,還可以在深層理解與普遍意義的層面上尋找可持續(xù)發(fā)展的生存方式與傳播途徑。麻山鑼鼓是寧鄉(xiāng)人們幾百多年以來在生產(chǎn)生活、傳統(tǒng)節(jié)慶、風(fēng)俗人情等眾多文化活動中的重要的組成部分,是研究楚湘文化和古代楚湘歷史的重要活化石之一。麻山鑼鼓的傳承與發(fā)展始終都與"禮、俗"相須而行,表現(xiàn)出一種極其穩(wěn)定的音樂"文化功能"傳統(tǒng),體現(xiàn)了中國禮樂文化與禮俗文化的一脈相承。隨著社會的發(fā)展與自然生態(tài)環(huán)境的變遷,麻山鑼鼓面臨傳承困境,在保護(hù)與發(fā)展的背景下,麻山鑼鼓現(xiàn)代社會的發(fā)展大潮中實現(xiàn)著"人為"的適應(yīng)性調(diào)適,傳統(tǒng)民間音樂逐漸增添了現(xiàn)代化的社會屬性。
[Abstract]:The construction and interpretation of "cultural space" from the perspective of ecological anthropology can provide the knowledge and methodology of regional culture related to specific environmental problems. At the level of deep understanding and universal significance, we can find the way of survival and dissemination of sustainable development. Mashan gongs and drums are an important part of many cultural activities, such as production and life, traditional festivals, customs and customs, etc. for hundreds of years in Ningxiang. It is one of the important living fossils to study the culture of Chuxiang and the history of ancient Chuxiang. The inheritance and development of Mashan gongs and drums are always in line with "ritual and vulgar", showing an extremely stable tradition of "cultural function", which embodies the Chinese culture of ritual and music. With the development of society and the change of natural ecological environment, Mashan gongs and drums are faced with the dilemma of inheritance. Under the background of protection and development, Mashan gongs and drums realize the adaptive adjustment of "man-made" in the development tide of modern society. Traditional folk music has gradually added modern social attributes.
【作者單位】： 湖南第一師范學(xué)院音樂舞蹈學(xué)院;
【基金】：2014年湖南省哲學(xué)社會科學(xué)基金項目“湖南麻山鑼鼓的人文價值與傳承研究”(課題編號:14YBA113)階段性成果
【分類號】：J632.62
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本文編號：2386596