【摘要】：十九世紀(jì)法國女作曲家、鋼琴家夏米娜德(Cécile Louise Stéphanie Chaminade)是音樂史上屈指可數(shù)的優(yōu)秀女性作曲家之一,她創(chuàng)作并演奏的鋼琴作品以獨(dú)有的女性主義視角和藝術(shù)展現(xiàn)手法,散發(fā)著經(jīng)久的魅力,對(duì)后世有著不小的影響。在創(chuàng)作領(lǐng)域中,她的作品體裁豐富,數(shù)量繁多,以沙龍性質(zhì)的鋼琴曲為主,具有明顯的女性特征風(fēng)格。《小夜曲》就是其中較少被演奏的一首,這首作品雖不是其代表作,但其中的旋律及和聲特點(diǎn)均延續(xù)了其一貫的浪漫主義風(fēng)格特點(diǎn),更具有女性獨(dú)有的溫柔與細(xì)膩,旋律優(yōu)美,效果突出,細(xì)致優(yōu)雅,娓娓動(dòng)聽。本文主要從作品創(chuàng)作手法及如何在演奏上體現(xiàn)作品的藝術(shù)形象加以探索。
[Abstract]:C 茅 cile Louise St 茅 phanie Chaminade), a French composer and pianist in the nineteenth century, is one of the few outstanding female composers in the history of music. Exuding a long-lasting charm, has a great impact on later generations. In the field of creation, her works are rich in genres and numerous in number. They are mainly salon pianos and have a distinctive feminine style. Serenade is one of them that is seldom played, although this work is not its representative work. But the melodies and harmonies are the same as the romantic style, and have the unique feminine tenderness and delicacy, beautiful melody, outstanding effect, meticulous elegance, and eloquence. This paper mainly explores the creative techniques and how to embody the artistic image of the works.
【作者單位】： 河南理工大學(xué)音樂學(xué)院;
【基金】：河南省教育廳人文社會(huì)科學(xué)研究項(xiàng)目“夏米娜德的鋼琴音樂創(chuàng)作及演奏研究——以女性主義為研究視角”的研究成果;項(xiàng)目編號(hào):2015-QN-433
【分類號(hào)】：J624.1
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本文編號(hào)：2376409