【摘要】：本文在參考前人研究成果、并于數(shù)次調(diào)查與收集資料的基礎(chǔ)上,作為地方性文化特征的科爾沁民歌體裁音樂(lè),凝練于民族文化的桎梏,從民間步入到校園音樂(lè)文化。通過(guò)科爾沁民歌在大學(xué)院校內(nèi)的傳承及其民間音樂(lè)的觀察,探尋民歌傳承的地域建構(gòu)特征及意義。從給予傳承文化印記的來(lái)源——科爾沁民歌傳承班,解析其作用于音樂(lè)本身及從音樂(lè)中反映的文化變遷。
[Abstract]:Based on the previous research results and several investigations and data collection, this paper, as the local cultural characteristics of Horqin folk songs genre music, condensed in the shackles of national culture, from folk to campus music culture. Through the inheritance of Horqin folk songs in universities and colleges and the observation of folk music, this paper explores the regional construction characteristics and significance of folk songs inheritance. From the source of cultural imprint, Horqin Folk Song inheritance Class, analyzes its effect on the music itself and the cultural changes reflected in the music.
【作者單位】： 內(nèi)蒙古大學(xué)藝術(shù)學(xué)院音樂(lè)學(xué)院;
【分類號(hào)】：J607-4

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