【摘要】：廣西壯族自治區(qū)是一個多民族居住的地區(qū),生活在此的各民族人民都喜愛歌唱,因此廣西素有“歌�！敝Q。而廣西少數(shù)民族中以壯族居多,并擁有著千年的歌唱傳統(tǒng),有著以歌代言的習(xí)俗。民歌作為壯族人民表述、記憶和傳承的主要方式,承載著本民族的情感價值和文化基因。現(xiàn)存的壯族民歌中大部分都是多聲部的合唱民歌,以二聲部居多,也有少量三聲部作品。然而隨著時代的發(fā)展進(jìn)步,壯族民歌的生存土壤正在逐漸消失,許多民歌的演唱、傳承出現(xiàn)了危機(jī)。如何有效的整理分析壯族民歌特征,尤其是將壯族多聲部民歌合唱作品保護(hù)好、傳承給后人,是擺在我們面前的一道難題。正式基于此,本文主要通過分析壯族風(fēng)格的多聲部合唱作品,總結(jié)其旋律、和聲、結(jié)構(gòu)等方面的特征,深入理解壯族合唱作品的內(nèi)在精神,更合理地詮釋壯族合唱多聲部作品。本文總共分為四個部分:第一部分為緒論,對選題緣由和選題意義進(jìn)行簡要介紹,以及對壯族民歌的研究現(xiàn)狀進(jìn)行了分析。第二部分是對廣西原生態(tài)壯族多聲部民歌進(jìn)行了概述,重點對壯族多聲部民歌合唱特點進(jìn)行了分析。第三部分是通過對改編壯族多聲部民歌的合唱作品分析,詳細(xì)分析各類型壯族多聲部的民歌作品。第四部分是以合唱指揮的視角對壯族多聲部合唱作品進(jìn)行指揮技法的分析,如何合理詮釋壯族多聲部合唱作品的特征。為今后壯族多聲部民歌的傳承和發(fā)展,壯族多聲部合唱作品的指揮提供參考。
[Abstract]:Guangxi Zhuang Autonomous region is a multi-ethnic region, where the people of all nationalities love singing, so Guangxi is known as the "Song Sea". Guangxi ethnic minorities are mostly Zhuang, and have a thousand years of singing tradition, has the custom of singing on behalf of. As the main way of expressing, memorizing and inheriting the Zhuang people, folk songs bear the emotional value and cultural genes of their own nation. The majority of the existing folk songs of Zhuang nationality are multi-vocal chorus folk songs, with two parts being the majority, and a small number of three-part works. However, with the development and progress of the times, the survival soil of Zhuang folk songs is gradually disappearing. How to sort out and analyze the characteristics of Zhuang folk songs effectively, especially to protect and inherit the multi-part folk chorus works of Zhuang nationality is a difficult problem in front of us. Based on this, this paper mainly through the analysis of the Zhuang style of multi-vocal chorus works, summarizes its melody, harmony, structure and other aspects of the characteristics, in-depth understanding of the Zhuang chorus works of the inner spirit, more reasonable interpretation of the Zhuang chorus multi-voice works. This paper is divided into four parts: the first part is an introduction, a brief introduction to the reason and significance of the topic, as well as an analysis of the status quo of Zhuang folk songs. The second part is an overview of Guangxi original Zhuang multi-vocal folk songs, focusing on the Zhuang multi-vocal folk songs chorus characteristics. The third part is through the adaptation of the Zhuang multi-vocal folk songs chorus works, detailed analysis of the various types of Zhuang multi-vocal folk songs works. The fourth part is the analysis of the command techniques of Zhuang multi-part chorus works from the angle of chorus conductor, and how to explain the characteristics of Zhuang multi-part chorus works reasonably. It provides a reference for the inheritance and development of Zhuang multi-part folk songs and the direction of Zhuang multi-vocal chorus works.
【學(xué)位授予單位】：華南理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J616.2;J615.1

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