【摘要】：揚(yáng)琴自明代后期由波斯傳入我國(guó)至今,在中國(guó)四百年的發(fā)展歷程中深植于中國(guó)傳統(tǒng)音樂(lè)文化發(fā)展。本文將以武漢音樂(lè)學(xué)院胡志平教授創(chuàng)作的二胡曲《月的悲吟》揚(yáng)琴版為實(shí)例,對(duì)此曲中的揚(yáng)琴演奏進(jìn)行分析。樂(lè)曲在創(chuàng)作上充分發(fā)揮了揚(yáng)琴的特點(diǎn),結(jié)合揚(yáng)琴演奏中的泛音,揉弦等技法豐富了音響效果,同時(shí)也為今后的創(chuàng)作帶來(lái)了更多的啟示。二胡曲《月的悲吟》中的揚(yáng)琴演奏具有藝術(shù)價(jià)值和研究意義,這對(duì)當(dāng)代揚(yáng)琴演奏藝術(shù)的發(fā)展具有一定的推動(dòng)作用。本文將分兩個(gè)章節(jié)對(duì)二胡曲《月的悲吟》中的揚(yáng)琴演奏進(jìn)行論述:第一章主要對(duì)《月的悲吟》中的揚(yáng)琴演奏譜例進(jìn)行簡(jiǎn)要分析,從音色、旋律、力度三方面來(lái)探究揚(yáng)琴演奏的發(fā)音控制對(duì)于樂(lè)曲意境表達(dá)的作用;第二章論述《月的悲吟》中揚(yáng)琴演奏的創(chuàng)新性給筆者所帶來(lái)的思考。筆者將從揚(yáng)琴演奏的角度出發(fā),結(jié)合自身對(duì)揚(yáng)琴演奏理論知識(shí)的學(xué)習(xí)積累和藝術(shù)實(shí)踐,從理論上對(duì)該曲的揚(yáng)琴演奏進(jìn)行整理,希望能給他人提供一些參考,起到拋磚引玉的作用。
[Abstract]:The yangqin was introduced into China from Persia in the late Ming Dynasty and has been deeply rooted in the development of Chinese traditional music culture in the history of 400 years. This article will take Wu Zhiping professor of Wuhan Conservatory of Music as an example to analyze the yangqin performance in the erhu song "the sad Yin of the Moon" as an example. Music in the creation of the full play of the characteristics of the dulcimer, combined with the yangqin in the performance of the sound, kneading techniques such as rich sound effects, but also for the future creation of more inspiration. The yangqin performance in the erhu song "the sad Yin of the Moon" has the artistic value and the research significance, which has the certain promotion function to the contemporary yangqin performance art development. This article will divide into two chapters to carry on the elaboration to the yangqin performance in the erhu song "the sad Yin of the Moon": the first chapter mainly carries on the brief analysis to the yangqin performance spectrum example in the "Moon's sad Yin", from the timbre, the melody, Three aspects of dynamics to explore the role of the yangqin playing pronunciation control on the expression of artistic conception of music; The second chapter discusses the innovation of yangqin performance in the sad Yin of the Moon. From the perspective of yangqin performance, the author will combine with his own learning and accumulation of theoretical knowledge and artistic practice to arrange the yangqin performance in theory, hoping to provide some references for others. Play the role of a brick to attract jade.
【學(xué)位授予單位】：武漢音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.51

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1 劉夜;;攬古今于一懷 抒“新文人音樂(lè)”——評(píng)“胡志平二胡獨(dú)奏音樂(lè)會(huì)”[J];中國(guó)音樂(lè);2008年02期

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本文編號(hào)：2366822