【摘要】：關(guān)于普羅科菲耶夫,目前國內(nèi)外研究多集中于作品分析、生平簡介,關(guān)于皈依體驗(yàn)的基本理論,也有部分文獻(xiàn)涉及,但從整體趨勢(shì)來看,較少有研究將兩者結(jié)合在一起。本文通過對(duì)情感體驗(yàn)理論的分析,研究藝術(shù)家對(duì)生活現(xiàn)象的感受、理解、想象和說明的解釋過程,探尋貫徹其中的創(chuàng)作心理動(dòng)力,以及情感與技巧交融的過程,藉此探討體驗(yàn)在審美活動(dòng)中的重要作用。文章主體內(nèi)容是把皈依體驗(yàn)的基本理論與普羅科菲耶夫的生平經(jīng)歷、代表作品結(jié)合,從中探尋他賦予作品顯于外和隱于內(nèi)的生活體驗(yàn),以了解其運(yùn)用不同作曲技法所表達(dá)的情感內(nèi)涵。文章主體內(nèi)容包括如下三部分：第一部分,點(diǎn)題解析：這一部分為兩個(gè)內(nèi)容,一是對(duì)體驗(yàn)進(jìn)行闡述,包括體驗(yàn)與經(jīng)驗(yàn)的區(qū)別、體驗(yàn)的定義及分類、皈依體驗(yàn)的定義及分類。二是對(duì)普羅科菲耶夫的生平經(jīng)歷進(jìn)行介紹,為下一部分創(chuàng)作風(fēng)格的探討奠定基礎(chǔ)。第二部分,風(fēng)格陳述：列舉論文中將會(huì)涉及的部分作品,并以普羅科菲耶夫生平經(jīng)歷為基礎(chǔ)將其創(chuàng)作風(fēng)格進(jìn)行時(shí)期劃分,為下一部分析其作品中的情感體驗(yàn)奠定基礎(chǔ)。第三部分,舉例分析：對(duì)普羅科菲耶夫各時(shí)期的代表作進(jìn)行音樂語匯,尤其是音樂風(fēng)格的分析,探尋其通過不同的創(chuàng)作技法所表達(dá)的情感內(nèi)涵,以及在其中體現(xiàn)出的生命性、抒情性、史詩性、光明性,感受他對(duì)生命的反思,對(duì)本真的皈依。本文通過廣泛的資料收集、理論研究、音樂文本分析,嘗試將審美理論與音樂本體相結(jié)合,以探求深藏在普羅科菲耶夫作品中獨(dú)特的個(gè)性語言與藝術(shù)情懷。不僅是為審美心理學(xué)領(lǐng)域探索新的研究點(diǎn),更是借此展現(xiàn)偉大作由家普羅科菲耶夫音樂中深刻的內(nèi)涵。
[Abstract]:As for Prokofyev, most of the domestic and foreign studies focus on the analysis of works, a brief introduction of life, and some references on the basic theory of conversion experience, but from the overall trend, few studies combine the two. Through the analysis of the theory of emotional experience, this paper studies the interpretation process of artist's feeling, understanding, imagination and explanation of life phenomenon, and explores the creative psychological motive force and the process of blending emotion and skill. In order to explore the important role of experience in aesthetic activities. The main content of the article is to combine the basic theory of conversion experience with Prokofyev's life experience and to represent his works in order to explore the life experience which he endows his works with both explicit and implicit life experiences. In order to understand its use of different composition techniques to express the emotional connotation. The main content of the article includes the following three parts: the first part: this part is divided into two parts: one is to expound the experience, including the difference between experience and experience, the definition and classification of experience, and the definition and classification of conversion experience. The second is the introduction of Prokofyev's life experience, which lays the foundation for the next part of the creative style. The second part, style statement: enumerates some works that will be involved in the thesis, and divides his writing style into periods on the basis of Prokofyev's life experience, which lays the foundation for the next analysis of emotional experience in his works. The third part, the example analysis: the representative works of each period of Prokofyev carries on the music vocabulary, especially the music style analysis, explores its through the different creation technique to express the emotion connotation, as well as in which manifests the life. Lyricism, poetry, light, feel his reflection on life, to the true conversion. Through extensive data collection, theoretical research and music text analysis, this paper attempts to combine aesthetic theory with music Noumenon in order to explore the unique language and artistic feelings in Prokofyev's works. It is not only to explore new research points in the field of aesthetic psychology, but also to show the profound connotation of Prokofyev music.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J614
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本文編號(hào)：2354938