【摘要】：二胡是我國(guó)獨(dú)具魅力的拉弦樂(lè)器。從2010年考入中國(guó)音樂(lè)學(xué)院以來(lái),隨曹德維導(dǎo)師習(xí)琴至今,在研究生期間,在導(dǎo)師和黃曉飛老師的辛勤教導(dǎo)下,筆者通過(guò)姊妹樂(lè)器和作曲理論的學(xué)習(xí),讓二胡專業(yè)的表現(xiàn)力和藝術(shù)性得以擴(kuò)展,豐富了二胡的演奏。此場(chǎng)音樂(lè)會(huì)的主題定為“戲彩琴韻”,寓意戲如人生,一路精彩,琴韻悠長(zhǎng),它傾注了筆者個(gè)人生命的體驗(yàn)與感悟,希望在這場(chǎng)音樂(lè)會(huì)中對(duì)“二胡引領(lǐng)”的復(fù)合型藝術(shù)人才實(shí)踐成果的高水準(zhǔn)展示。本場(chǎng)音樂(lè)會(huì),以創(chuàng)新的思維改變了以往畢業(yè)音樂(lè)會(huì)固有的單一結(jié)構(gòu)。所以在本場(chǎng)音樂(lè)會(huì)的曲目中包含了技巧類、自創(chuàng)類、古曲類,特色類的作品,不光呈現(xiàn)了二胡專業(yè)類別的曲目,還有高胡、板胡、京胡、雷琴曲目類別的展示,不同樂(lè)器的展現(xiàn)、不同技法的演奏還有不同風(fēng)格的把握是對(duì)筆者完整詮釋本場(chǎng)音樂(lè)會(huì)內(nèi)容的考驗(yàn)及體現(xiàn)。本文將較為具體的展現(xiàn)筆者對(duì)“戲彩琴韻”胡琴獨(dú)奏音樂(lè)會(huì)的構(gòu)思、設(shè)計(jì)。從細(xì)節(jié)的海報(bào)、節(jié)目單、禮服的設(shè)計(jì)選擇到曲目順序的安排,對(duì)姊妹樂(lè)器和曲目的風(fēng)格或整體段落布局來(lái)分析每首作品的演奏特點(diǎn)并談?wù)勛约旱母形?對(duì)音樂(lè)會(huì)中曲目的演奏難點(diǎn)的突破和演奏上的創(chuàng)新來(lái)談?wù)勛约旱捏w會(huì)。為呈現(xiàn)一場(chǎng)高水準(zhǔn)的畢業(yè)音樂(lè)會(huì)所做的各種準(zhǔn)備。
[Abstract]:Erhu is an attractive string instrument in our country. Since he was admitted to the Chinese Conservatory of Music in 2010, with Cao Dewei's teacher playing the piano, and during his graduate years, under the hard guidance of his tutor and teacher Huang Xiaofei, the author studied the theory of musical instruments and composition through his sister. So that erhu professional expression and artistry can be expanded, enriched erhu performance. The theme of this concert is "play color piano rhyme", meaning drama is like life, the whole way is wonderful, the piano rhyme is long, it poured into the experience and feeling of the author's personal life. I hope to show the high level of erhu-guided art talents in this concert. The concert, with innovative thinking, has changed the original single structure of the previous graduation concert. Therefore, the repertoire of this concert includes works of skill, self-creation, ancient music, and special features. They not only show the tracks of the erhu professional category, but also show the categories of Gao Hu, Banhu, Jinghu and Lei Qin. The display of different instruments, different techniques and different styles are the test and embodiment of the author's complete interpretation of the concert. This paper presents the author's conception and design of Hu Qin solo concert. From detailed posters, programme lists, dress design choices to the arrangement of the repertoire, to the style or overall paragraph layout of sister instruments and tracks to analyze the performance characteristics of each piece and talk about its own insights, To the concert music performance difficult breakthrough and the performance innovation to talk about own experience. All kinds of preparation for a high standard graduation concert.
【學(xué)位授予單位】：中國(guó)音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.2

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