【摘要】：杜普雷是20世紀卓越的女大提琴家,是20世紀歐洲大提琴界舉足輕重的大提琴演奏家,杜普蕾的老師托特里埃說:“她明眸金發(fā),簡直就是瓦格納歌劇里的女英雄。我們一起演奏時,我還沒有奏出來,她就已經(jīng)知道我要用哪種方式演奏了�！倍牌绽俚牧硪晃焕蠋熈_斯特羅波維奇說:“她有些地方笨手笨腳,有些地方卻優(yōu)雅動人。她很容易就把人迷得神魂顛倒,是我見過的這一代大提琴家中最有意思的一位。”選擇研究杜普雷的音樂藝術(shù)首先是作為后備對前輩的敬畏,細數(shù)偉大的大提琴家大衛(wèi)·波佩爾、卡薩爾斯、富尼埃、托特里埃、羅斯特羅波維奇、馬友友等等,第一他們的共同特點都是男性,第二他們在大提琴演奏方面都有巨大的成就,而在這些偉大的大提琴家中女大提琴家杜普雷就顯得格外亮眼。其次埃爾加大提琴協(xié)奏曲在大提琴協(xié)奏曲中有著重要地位,一提到埃爾加大提琴協(xié)奏曲又想到杜普雷。這一切都不是偶然,說明杜普雷演奏的埃爾加大提琴協(xié)奏曲版本已深深刻在大家的心中,成為永恒的經(jīng)典。在歐洲樂壇史上具有深刻的影響和崇高的地位,具有重要的研究價值。本文對杜普雷和杜普雷演奏埃爾加大提琴協(xié)奏曲進行研究,從而總結(jié)杜普雷音樂藝術(shù)以及作出的重要貢獻和重要意義。目前在西方音樂歷史中,對后浪漫主義英國作曲家埃爾加的作品相關(guān)論述層出不窮,不過不夠系統(tǒng)和全面都只是一筆帶過。作品第85號大提琴協(xié)奏曲的解讀資料不多,作為演奏家演奏這部作品的具體風格以及背后的故事的研究就更是少的可憐。相比西方而言,中國要略顯落后。因為距離是一個根本問題,時間距離和地理位置問題決定我們了解西方得文化就會滯后。需要大批量專門人才,好在改革開放以后,中國的學(xué)者逐漸嶄露頭角,研究的人越來越多。希望,在中西方研究的基礎(chǔ)上,更加深入地研究,進一步詮釋杜普雷和埃爾加大提琴協(xié)奏曲問題。
[Abstract]:Dupre was a remarkable cellist in the 20th century, and a pivotal cello player in Europe in the 20th century. "she has blond eyes and is a heroine in Wagner's opera," said Tupree's teacher. When we played together, she knew which way I was going to play before I could play it out. " Another Dupree teacher, Rostrobovich, said: "she is clumsy in some places and graceful in others. She was so easily captivated that she was one of the most interesting cellist I've ever seen. " The choice to study Dupre's musical art is first and foremost a reserve of awe for the older generation, the great cellist David Poppel, Cassars, Funier, Tottriere, Rostrobovich, Yo-Yo Ma, and so on. First, they all share the same characteristics as men, and second, they all have great achievements in cello playing, and in these great cellist, Cello woman Dupre is particularly prominent. Secondly, Elga cello concerto plays an important role in cello concerto. It was no accident that Dupre's version of the Elga cello concerto had been engraved in everyone's heart and became a timeless classic. In the history of European music has a profound influence and lofty status, has an important research value. This paper studies Dupre and Dupre playing Elga cello concerto, and summarizes Dupre's musical art and important contribution and significance. At present, in the history of western music, the works of the post-Romantic British composer Erga emerge one after another, but they are not systematic and comprehensive enough. The interpretation of Cello Concerto No. 85 is scarce, and the study of the specific style and the story behind it as a performer is even less. Compared with the West, China is slightly behind. Because distance is a fundamental problem, time distance and geographical location determine that our understanding of Western culture lags behind. The need for a large number of specialized personnel, good after the reform and opening up, Chinese scholars gradually emerging, research more and more people. It is hoped that, on the basis of the study of China and the West, the issue of Dupre and Elga cello concertos will be further interpreted.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J622.3

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