發(fā)布時(shí)間：2018-11-13 18:24

【摘要】：正一、研究意義中國古代樂律學(xué)雖然早就形成過具有民族文化特點(diǎn)的自身體系,但未曾歷經(jīng)近代科學(xué)的洗禮。被稱為"絕學(xué)"的古代樂律學(xué)文獻(xiàn)史料不僅浩如煙海,無解或聚訟千年之懸案堆積如山,新材料和新成果不斷問世,新解和異說層出不窮,加之樂律學(xué)者各自為政、分散研究、分歧平行,以至古代樂律學(xué)史這塊未開墾的處女地始終無人涉及。為了全面梳理、綜述成果,闡述觀點(diǎn)、促進(jìn)認(rèn)識統(tǒng)合、完成前輩遺
[Abstract]:First, the significance of the study of ancient Chinese music and law has formed its own system with the characteristics of national culture, but has not been baptized by modern science. The ancient music and law literature, known as "absolute learning", is not only vast, but also a mountain of unsolved or unsolved outstanding cases, new materials and new achievements are constantly coming out, new interpretations and different theories emerge in endlessly, and music and law scholars do their own work and disperse their research. Differences parallel, even the history of ancient music and law this uncultivated virgin land has never been involved. In order to sort out, summarize the achievements, expound the viewpoint, promote the integration of understanding, finish the legacy of the older generation.
【作者單位】： 溫州大學(xué);
【基金】：全國藝術(shù)科學(xué)“十五”規(guī)劃年度項(xiàng)目編號:2003BD038
【分類號】：J612.1

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