大學(xué)生古琴音樂情緒識(shí)別的比較研究
發(fā)布時(shí)間：2018-11-11 21:48
【摘要】：中華民族音樂文化自其發(fā)端(遠(yuǎn)及先秦下至明清)都從未中斷過對(duì)外的交流與傳播,并在此交融的過程中得到豐富與更為多元的發(fā)展。時(shí)至當(dāng)下,伴隨著國(guó)門的打開,綜合國(guó)力的不斷增強(qiáng),中華民族音樂文化正通過更為現(xiàn)代、多元化的途徑,全方位地走向世界。被譽(yù)為“八音”之首的古琴是一件古老而具有神秘色彩的樂器。它既承載著我國(guó)近三千年的歷史文化,又被賦予著一種教化人心的音樂藝術(shù)功能。中國(guó)的古琴音樂是“文人音樂”的代表,內(nèi)容博大精深,是中國(guó)傳統(tǒng)音樂的精華所在。古代文人墨客無不鐘愛于古琴,他們借琴抒發(fā)自己內(nèi)心的情懷,并且認(rèn)為古琴具有“養(yǎng)心”的功能。近年來,隨著古琴非物質(zhì)文化遺產(chǎn)申報(bào)成功,越來越多的人們開始關(guān)注古琴,也希望通過學(xué)習(xí)和聆聽實(shí)現(xiàn)心靈放松、緩解壓力等作用。然而隨著時(shí)代發(fā)展,古琴這一藝術(shù)與廣大人民群眾的思想感情聯(lián)系相距愈大,沒有更貼切的內(nèi)容為現(xiàn)代人所需。在中西音樂交流中,古琴一直囿于以“異國(guó)情調(diào)”的“他者”形象存在于對(duì)方文化視野中。在這個(gè)日益全球化的世界,古琴音樂想要更長(zhǎng)足的發(fā)展,必須要抒古韻于新聲,追傳統(tǒng)于未來。本文在前人已有研究基礎(chǔ)上,選取一些具有代表性古琴曲進(jìn)行實(shí)驗(yàn)測(cè)試。結(jié)合實(shí)驗(yàn)測(cè)試結(jié)果與理論研究進(jìn)行綜合分析,探討中西大學(xué)生對(duì)古琴音樂情緒的識(shí)別,得出如下結(jié)論:1、中西方大學(xué)生被試對(duì)古琴音樂情緒識(shí)別大多只存在程度上的差異,類型上的差異較小。中西被試識(shí)別古琴音樂情緒時(shí),曲目所表達(dá)的積極情緒能較容易識(shí)別出來。兩類被試識(shí)別古琴音樂情緒的數(shù)據(jù)偏差,在積極情緒強(qiáng)烈的曲目是最小的,其次是中等情緒曲目,偏差最大的是消極情緒強(qiáng)烈曲目。2、琴曲的音區(qū)、速度對(duì)中西大學(xué)生被試的情緒識(shí)別有很大影響。琴曲音區(qū)越高,識(shí)別到的情緒色彩越來越明亮,兩類被試識(shí)別的情緒偏差越來越小;琴曲速度越快,識(shí)別到的情緒色彩越來越明亮,兩類被試識(shí)別的情緒偏差越來越小;琴曲音區(qū)的影響力相比速度對(duì)被試的情緒識(shí)別影響較小。
[Abstract]:The music culture of the Chinese nation has never stopped the communication and dissemination since its origin (far from the Qin Dynasty to the Ming and Qing dynasties), and has been rich and more diversified in the process of blending. From time to time, with the opening of the country and the increasing of the comprehensive national strength, the music culture of the Chinese nation is moving towards the world in all directions through a more modern and diversified way. Guqin, known as the head of "eight notes", is an ancient and mysterious instrument. It not only bears three thousand years of history and culture of our country, but also is endowed with a musical art function of enlightening people. The Guqin music of China is the representative of literati music, which is the essence of Chinese traditional music. Ancient literati love Guqin, they express their inner feelings and think that Guqin has the function of "nourishing heart". In recent years, with the successful application of Guqin intangible cultural heritage, more and more people begin to pay attention to Guqin, and hope to relax the mind and relieve the pressure through learning and listening. However, with the development of the times, the art of Guqin is more and more apart from the ideological and emotional ties of the broad masses of the people, and there is no more appropriate content for modern people. In the music exchange between China and the West, Guqin has always been confined to the "other" image of "exotic" in the other side's cultural vision. In this increasingly global world, if Guqin music wants to develop more rapidly, it must express the ancient rhyme in the new voice and catch up with the tradition in the future. On the basis of previous studies, this paper selected some representative guqin songs for experimental test. Combined with the experimental test results and theoretical research, this paper discusses the recognition of Guqin music emotion between Chinese and Western college students, and draws the following conclusions: 1, most of the Chinese and western college students only exist the difference in the degree of the Guqin music emotion recognition. There is a small difference in type. When Chinese and Western subjects recognize Guqin music emotions, the positive emotions expressed in the tracks can be easily recognized. The data deviations of the two types of subjects in identifying the emotion of Guqin music were the smallest in the track with strong positive emotion, followed by the middle emotional track, and the biggest deviation was in the strong track of negative emotion. 2. Speed has great influence on emotion recognition of Chinese and western college students. The higher the music area, the brighter the emotion color recognized, and the smaller the emotional deviation between the two types of subjects, the faster the music speed, the brighter the emotion color recognized, and the smaller the emotion deviation recognized by the two types of subjects. The influence of the music area on emotion recognition was less significant than that of speed.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.31
本文編號(hào)：2326231
[Abstract]:The music culture of the Chinese nation has never stopped the communication and dissemination since its origin (far from the Qin Dynasty to the Ming and Qing dynasties), and has been rich and more diversified in the process of blending. From time to time, with the opening of the country and the increasing of the comprehensive national strength, the music culture of the Chinese nation is moving towards the world in all directions through a more modern and diversified way. Guqin, known as the head of "eight notes", is an ancient and mysterious instrument. It not only bears three thousand years of history and culture of our country, but also is endowed with a musical art function of enlightening people. The Guqin music of China is the representative of literati music, which is the essence of Chinese traditional music. Ancient literati love Guqin, they express their inner feelings and think that Guqin has the function of "nourishing heart". In recent years, with the successful application of Guqin intangible cultural heritage, more and more people begin to pay attention to Guqin, and hope to relax the mind and relieve the pressure through learning and listening. However, with the development of the times, the art of Guqin is more and more apart from the ideological and emotional ties of the broad masses of the people, and there is no more appropriate content for modern people. In the music exchange between China and the West, Guqin has always been confined to the "other" image of "exotic" in the other side's cultural vision. In this increasingly global world, if Guqin music wants to develop more rapidly, it must express the ancient rhyme in the new voice and catch up with the tradition in the future. On the basis of previous studies, this paper selected some representative guqin songs for experimental test. Combined with the experimental test results and theoretical research, this paper discusses the recognition of Guqin music emotion between Chinese and Western college students, and draws the following conclusions: 1, most of the Chinese and western college students only exist the difference in the degree of the Guqin music emotion recognition. There is a small difference in type. When Chinese and Western subjects recognize Guqin music emotions, the positive emotions expressed in the tracks can be easily recognized. The data deviations of the two types of subjects in identifying the emotion of Guqin music were the smallest in the track with strong positive emotion, followed by the middle emotional track, and the biggest deviation was in the strong track of negative emotion. 2. Speed has great influence on emotion recognition of Chinese and western college students. The higher the music area, the brighter the emotion color recognized, and the smaller the emotional deviation between the two types of subjects, the faster the music speed, the brighter the emotion color recognized, and the smaller the emotion deviation recognized by the two types of subjects. The influence of the music area on emotion recognition was less significant than that of speed.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.31
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 孫亞楠;劉源;南云;;音樂對(duì)情緒的影響及其腦機(jī)制的相關(guān)研究[J];自然科學(xué)進(jìn)展;2009年01期
，本文編號(hào)：2326231
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