【摘要】：鋼琴組曲《庫(kù)普蘭之墓》是拉威爾最著名的鋼琴作品之一,作品由《前奏曲》、《賦格》、《福蘭納舞曲》、《里戈?yáng)|舞曲》、《小步舞曲》、《托卡塔》六首獨(dú)立的樂(lè)曲組成,這些曲子的體裁都源于巴洛克時(shí)期。因此整個(gè)組曲可以說(shuō)是拉威爾對(duì)過(guò)去統(tǒng)音樂(lè)的致敬,并試圖通過(guò)自己的創(chuàng)作回歸法國(guó)的傳統(tǒng)音樂(lè)風(fēng)格。但是從音樂(lè)語(yǔ)言和創(chuàng)作技巧上看,其中大量的不協(xié)和音,各種疊置和弦,五聲音階,和聲的平行進(jìn)行等,又說(shuō)明《庫(kù)普蘭之墓》是新時(shí)期產(chǎn)物,他是用新的創(chuàng)作技巧還原法國(guó)傳統(tǒng)音樂(lè)克制、理性、明晰、典雅的藝術(shù)風(fēng)格。拉威爾從中挑選了四首改變成了管弦樂(lè)作品,樂(lè)曲順序?yàn)椤肚白嗲�、《福蘭納舞曲》、《小步舞曲》、《里戈?yáng)|舞曲》。通過(guò)將《庫(kù)普蘭之墓》的鋼琴版與管弦樂(lè)版進(jìn)行比較,對(duì)我們用鋼琴演奏出類似于管弦樂(lè)的色彩變化具有重要的借鑒作用。
[Abstract]:The Piano Suite "Tomb of Kupland" is one of Ravel's most famous piano works. Tokata consists of six separate pieces of music, all of which originated in the Baroque period. Therefore, the whole suite is a tribute to the music of the past, and attempts to return to the French traditional music style through his own creation. But in terms of musical language and creative skills, a large number of dissonants, various superimposed chords, five-tone steps, parallel harmonies, and so on, show that Tomb of Coupland is a product of the new era. He uses new creative techniques to restore French traditional musical restraint, rationality, clarity, elegant artistic style. Ravel chose four of them to change into orchestral works, in the order of prelude, Flana, step, and Rigoton. By comparing the piano version of the Tomb of Kupland with that of orchestral music, this paper provides an important reference for us to use the piano to play the color change similar to that of orchestral music.
【學(xué)位授予單位】：西安音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

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相關(guān)碩士學(xué)位論文 前3條

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3 張伊麗;此新彼異 聲色雋永[D];杭州師范大學(xué);2011年

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本文編號(hào)：2323840