【摘要】：正一、關(guān)于20世紀(jì)宗教新音樂宗教新音樂不僅是音樂研究的重要對象,還因其充分體現(xiàn)了啟蒙現(xiàn)代性與文化現(xiàn)代性的緊張關(guān)系,并作為審美現(xiàn)代性實(shí)現(xiàn)的有力途徑,而成為美學(xué)和文化研究關(guān)注的對象。假如說20世紀(jì)的西方文化是大破大立、探索創(chuàng)新、離經(jīng)叛道而五彩紛呈的文化,應(yīng)該不是夸張。西方文化在20世紀(jì)里逐漸走向個(gè)性與多元化,它懷抱中的宗教音樂理所當(dāng)然地從這一母體吸收了充分的營養(yǎng),從音樂形式到所蘊(yùn)含的時(shí)代精神都發(fā)生了令人驚異的變化。從歷史上看,西方宗教音樂的發(fā)展形態(tài)很像一棵樹,它是在變化又連續(xù)的環(huán)境里生長起
[Abstract]:First, new religious music in the 20th century is not only an important object of music research, but also a powerful way to realize aesthetic modernity, because it fully embodies the tense relationship between enlightenment modernity and cultural modernity. And becomes the esthetics and the cultural research object which pays close attention to. It is not exaggeration to say that the western culture of the 20 th century is a great break-down, exploring innovation, deviant and colorful culture. In the 20th century, Western culture gradually moved towards individuality and pluralism, and the religious music in its embrace naturally absorbed sufficient nutrition from this parent body, and the form of music and the spirit of the times contained in it all changed amazingly. Historically, the development of Western religious music is very much like a tree, it is growing in a changing and continuous environment.
【作者單位】： 北京工業(yè)大學(xué)人文學(xué)院;
【基金】：北京市社會科學(xué)基金項(xiàng)目,編號:15WYC080
【分類號】：J608

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