楚雄彝族四弦琴的起源及形制
發(fā)布時間:2018-11-04 14:26
【摘要】:正隨著時間的流逝,民族文化的差異,生活習(xí)慣的不同,月琴在各地都有了一定的改變。例如在楚雄地區(qū)就有"牟定八方月琴""鎮(zhèn)南月琴""雙柏四弦"等,從形制來看,琴身不再只是單一的圓形,頭部也更多換為"龍頭",琴身上更是加了許多具有意義的圖案和裝飾。彝族人民也更多的將其稱之為——
[Abstract]:With the passage of time, the difference of national culture and living habits, Yueqin has changed in different places. For example, in the Chuxiong area, there are "Mouding Bafangyueqin", "Zhennan Yueqin", "Shuangbai Sixian" and so on. In terms of shape, the body of the piano is no longer just a single circle, but the head is changed to a "tap." There are many meaningful designs and decorations on the piano. The Yi people are also more likely to call it-
【作者單位】: 楚雄師范學(xué)院音樂學(xué)院;
【分類號】:J632.35
本文編號:2310084
[Abstract]:With the passage of time, the difference of national culture and living habits, Yueqin has changed in different places. For example, in the Chuxiong area, there are "Mouding Bafangyueqin", "Zhennan Yueqin", "Shuangbai Sixian" and so on. In terms of shape, the body of the piano is no longer just a single circle, but the head is changed to a "tap." There are many meaningful designs and decorations on the piano. The Yi people are also more likely to call it-
【作者單位】: 楚雄師范學(xué)院音樂學(xué)院;
【分類號】:J632.35
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