【摘要】：歷史上,隨著"絲綢之路"的開通,中原漢民族文化與外界異己文化之間相互碰撞,開始了持續(xù)不斷的交流和融合。胡樂舞便是在這一時(shí)期傳入中原地區(qū),與中原地區(qū)的本土舞蹈文化相互借鑒,并得以在中原沃土上生根發(fā)芽,直至壯大。大唐盛世的到來,胡樂舞文化也發(fā)展到了其鼎盛時(shí)期,正是由于大量吸收和借鑒了外來西域樂舞的舞蹈因子,其中不僅包括舞蹈時(shí)舞者所穿的服飾、所用的道具,也包括節(jié)目編排的隊(duì)形、結(jié)構(gòu),以及舞蹈的動(dòng)作元素和技術(shù)技巧等。在此之上,胡樂舞蹈的動(dòng)作風(fēng)格特征開始逐漸趨于穩(wěn)定和成熟,形成其獨(dú)特的舞姿技巧以及多樣的舞蹈內(nèi)容編排樣式,讓人耳目一新。
[Abstract]:In history, with the opening of the Silk Road, the culture of Han nationality in Central Plains collided with other cultures of the outside world, and began continuous communication and integration. Hu Le Dance was introduced into the Central Plains during this period, and the native dance culture of the Central Plains could learn from each other and take root and sprout on the fertile soil of the Central Plains until it grew stronger. With the arrival of the prosperous period of the Tang Dynasty, the culture of Hu Le Dance also developed to its peak. It was precisely because of absorbing and drawing lessons from the dance factors of the foreign western regions, including not only the costumes worn by dancers, but also the props used by the dancers. It also includes the formation and structure of the program, as well as the movement elements and technical skills of the dance. On top of this, the action style characteristics of Hu Le dance gradually tend to be stable and mature, forming its unique dance skills and various choreography styles of dance content, which makes people fresh and fresh.
【作者單位】： 四川工商學(xué)院;
【分類號(hào)】：J609.2

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