論拉赫瑪尼諾夫鋼琴獨(dú)奏作品《悲歌》創(chuàng)作特征及演奏技巧
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【摘要】:謝爾蓋·瓦西里耶維奇·拉赫瑪尼諾夫是俄羅斯的一位浪漫派作曲家,同時(shí)也是指揮家、演奏家。拉赫瑪尼諾夫在自己還沒(méi)到20歲的時(shí)候,寫下了一部鋼琴獨(dú)奏作品,為《幻想小品集》Op.3。雖然只有5首小曲組成,但五首作品的技術(shù)性以及音樂(lè)性不容忽視。本文所寫的《悲歌》是《幻想小品集》Op.3五首作品中的第一首。在《悲歌》中,展現(xiàn)出他不凡的創(chuàng)作思維,即堅(jiān)持了浪漫主義的風(fēng)格,繼承了俄羅斯音樂(lè)的傳統(tǒng),又形成了自己獨(dú)特的音樂(lè)風(fēng)格。本文對(duì)作品《悲歌》的分析包括三個(gè)部分:第一部分?jǐn)⑹隽俗髌废嚓P(guān)的背景,包括作曲家當(dāng)時(shí)創(chuàng)作這首作品相關(guān)的社會(huì)背景和個(gè)人經(jīng)歷,以及拉赫瑪尼諾夫本人的創(chuàng)作風(fēng)格,這些都跟《悲歌》的音樂(lè)有著十分密切的聯(lián)系;第二部分從旋律、節(jié)奏、織體、力度表情這幾個(gè)方面分析了《悲歌》的創(chuàng)作特征,以及這些創(chuàng)作特征表現(xiàn)出的情感;第三部分進(jìn)行了演奏技巧的分析,從旋律、rubato、力度以及踏板四個(gè)方面來(lái)分析演奏作品時(shí)應(yīng)該帶給人的情感體驗(yàn)以及演奏時(shí)需要注意的一些問(wèn)題。關(guān)于這首作品的分析很少,筆者通過(guò)對(duì)資料的提取、分析以及歸納,結(jié)合個(gè)人演奏經(jīng)驗(yàn),對(duì)作品的情感表達(dá)以及音樂(lè)內(nèi)容進(jìn)行分析。從而提高對(duì)《悲歌》的理解和掌握,更好的演奏作品。
[Abstract]:Sergei Vasilyevich Rachmaninov is a Russian romantic composer, conductor and performer. Rachmaninov, before he turned 20, wrote a piano solo for Op.3. Although there are only five pieces of music, the technical and musical nature of the five works can not be ignored. The Echo is the first of Op.3 's five works. In Echo, he shows his extraordinary creative thinking, that is, he adheres to the romantic style, inherits the tradition of Russian music, and forms his own unique musical style. This paper includes three parts: the first part describes the background of the work, including the social background and personal experience related to the composer's creation of the work, and Rachmaninov's own writing style. The second part analyzes the creative characteristics and the emotion of these characteristics from the aspects of melody, rhythm, texture and intensity. The third part analyzes the performance skills, from the melody, rubato, dynamics and pedal to analyze the performance of music should bring people emotional experience and some problems to pay attention to. The analysis of this work is very few. The author analyzes the emotional expression and music content of the work through the extraction, analysis and induction of the data, combined with the personal performance experience. In order to improve the understanding and mastery of "Echo", a better performance.
【學(xué)位授予單位】:四川師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J624.1
本文編號(hào):2285357
[Abstract]:Sergei Vasilyevich Rachmaninov is a Russian romantic composer, conductor and performer. Rachmaninov, before he turned 20, wrote a piano solo for Op.3. Although there are only five pieces of music, the technical and musical nature of the five works can not be ignored. The Echo is the first of Op.3 's five works. In Echo, he shows his extraordinary creative thinking, that is, he adheres to the romantic style, inherits the tradition of Russian music, and forms his own unique musical style. This paper includes three parts: the first part describes the background of the work, including the social background and personal experience related to the composer's creation of the work, and Rachmaninov's own writing style. The second part analyzes the creative characteristics and the emotion of these characteristics from the aspects of melody, rhythm, texture and intensity. The third part analyzes the performance skills, from the melody, rubato, dynamics and pedal to analyze the performance of music should bring people emotional experience and some problems to pay attention to. The analysis of this work is very few. The author analyzes the emotional expression and music content of the work through the extraction, analysis and induction of the data, combined with the personal performance experience. In order to improve the understanding and mastery of "Echo", a better performance.
【學(xué)位授予單位】:四川師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J624.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 劉洋;;烙印在指尖的浪漫——拉赫瑪尼諾夫鋼琴音樂(lè)中抒情性旋律的創(chuàng)作特征與演奏研究[J];北方音樂(lè);2014年02期
,本文編號(hào):2285357
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